Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Pętla jako klucz do odkrywania tożsamości bohaterów „Braci Karamazow” Fiodora Dostojewskiego

100%
Bogusz-Tessmar P.
Kultury Wschodniosłowiańskie - Oblicza i Dialog
|
2012
|
issue 2
13-19
EN
.
2
Publication available in full text mode
Content available

Praxis chrześcijańska a piękno, czyli dlaczego można mówić, iż Aleksy Karamazow jest „pięknym człowiekiem”

100%
Bogusz-Tessmar P.
Scripta Neophilologica Posnaniensia
|
2012
|
issue 12
159-167
PL
Praxis chrześcijańska a piękno, czyli dlaczego można mówić, iż Aleksy Karamazow jest „pięknym człowiekiem”
3
Publication available in full text mode
Content available

Функция криптоцитаты на основе сравнительного анализа картины „Что есть истина. Христос и Пилат” Н. Ге и „Легенды о Вели- ком Инквизиторе” Ф.М. Достоевского

100%
Bogusz-Tessmar, P.
Studia Rossica Posnaniensia
|
2011
|
issue 36
21-30
PL
The article The function of a crypto-quotation on the basis of the picture of “Quod est veritas. Christ and Pilate” by M. Ge and “The Legend of the Grand Inquisitor” by F. Dostoyevsky aims at highlighting the relations between the analysed phenomena found both in the picture of Ge and in the legend. It reveals the mutual correspondence between the picture and the legend. To make such comparison possible, the author holds a view that methodological assumptions of the so called art correspondence and semiosphere may become sub-codes, which allow mutual influence and explanation of one sign by the others. Common ground for the two texts (the picture and the legend) may be a dialogue and a mythical approach. From the analysis, the author comes to a conclusion that the crypto-quotation (a hidden quotation) may be perceived as the polyphony of the word and the picture, which, to a certain extent, can be associated with Bakhtin's theory of the polyphony of the word in Dostoyevsky's novels.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.