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1
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QVO VADIS, KULTURO? ROZWAŻANIA NA KONIEC WIEKU

100%
Nikadem-Malinowska E.
Acta Neophilologica
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2002
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vol. IV
93-98
2
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Eleuzis: dziedzictwo wartości w poezji Josifa Brodskiego

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Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2005
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vol. Tom 1 Nr X
67-81
RU
Греческая философия целые века инспирирует европейское искусство и науку. Греческая культура, которая и есть колыбелью прежде всего римской, но также и европейской культуры, это культура ценностей и идей. Ее ценности сосредоточиваются вокруг человека, идей - вокруг его духовной жизни. Одни и другие определяют место человека в центре творимого им мира. Настоящая работа концентрируется на тех универсальных ценностях, которые являются синтезом веры в человека от времен древней Греции до нам современных. Такой подход к творчеству Иосифа Бродского представляет человека, который является не только воплощением культуры своей страны, но становится концентратом европейскости, благодаря ценностям, унаследованным от культурных предков. Если посмотрим на современную Европу с такой точки зрения, мы увидим Грецию, которая поглощает варварский континент. Следы этого процесса мы постоянно встречаем в искусстве, науке, философии. Поэзия Бродского объединяет в себе то, что европейская поэзия ей предложила.
EN
Greek philosophy fertilized European science and art. Greek culture as a cradle of, first, the Roman culture and then, the European one is a culture of values and conceptions. Values group themselves around a person, conceptions around their spiritual life. Both deter mine the sense and specificity of anthropocentrism that, ages ago, allocated man a place, the centre of the world created by him. Its value and beauty have been confronted on the basis of millenary patterns. The present work treats of universal values as a synthesis of the faith in man, from the man of ancient Greece through the present age. Presented in this way Brodski's creation is to show a person who, exiled from his homeland, not only does not cease to be the synthesis of its culture but, in fact, also becomes the synthesis of the European culture thanks to the common values, inherited after the cultural predecessors. The essence, the heart of the European culture is its set of values elaborated on throughout the centuries. If we look at Europe form this perspective, we will notice Greece expanding and swallowing up the barbarian continent. The traces of this process are to be found in all the arts performed until this day, in the development of thought, in spiritual life. Josif Brodski's poetry enveloped in itself all the best that the European culture had to offer it.
3
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Świat poezji Ełły Krylowej

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Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2006
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vol. Tom 1 Nr XI
239-248
EN
Ella Krylova belongs to the generation of Russian poets whose creative path started almost simultaneously with the birth of new Russia. Today she is the author of over ten poetry collections, she regularly publishes her poems on the Internet, she is well-known abroad. She is searching for her own form of expression, adequate to the thought which can be ironic or philosophical, but always present in the words. Her oversensitive lyrical ego, listening carefully to the world problems, fights with adversities with the help of irony. The world of her poetry is deeply humane, it is the world of universal values and spiritual rebirth of man.
4
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METAFORA ECHA W CYKLU WIERSZY ИЕРУСАЛИМСКАЯ ТЕТРАДЬ INNY LISNIANSKIEJ

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Nikadem-Malinowska E.
Acta Neophilologica
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2011
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vol. XIII
225-233
EN
In the year 2004 Inna Lisnianskaya created a cycle of poems Иерусалимская тетрадь (The Jerusalem Notebook). It consists of forty three poems. The title of the cycle, the place of its creation, opening and closing poems and dedication constitute on an aesthetic whole that is built on the megametaphor me is an echo. The importance of this metaphor, which is the basic figure of the poetic language, arises from the process of interpretation, so is inherently subjective. By drawing attention to the issue of interpretation, cognitivism emphasizes the role subjectiviza- tion as the basis for semantic extensions, and conceptualization. Important role for the conceptuali- zation of the analyzed cycle plays the closed composition. By repeating the sounds of different places and times the lyrical body sees itself as an echo of the spacetime. In this way, a metaphor me is an echo becomes the primary metaphor of the cycle.
5
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METAFORA POETYCKA W CYKLU WIERSZY INNY LISNIANSKIEJ НЕБЕСНЫЕ CТРОПЫ

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Nikadem-Malinowska E.
Acta Neophilologica
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2013
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vol. XV/1
291-297
EN
The classical definition of metaphor by Aristotle, though imperfect, survived many centuries. However, in 1980 the book of Mark Johnson and George Lakoff, Metaphors We Live By, has changed the view of metaphor and its role in the communication and poetics. One-shot metaphor, in the terminology of Lakoff, is a metaphor for single use which most often relates to the language of poetry. Poetry as a discourse is inherently subjective and highly creative and therefore, without any restrictions, may represent unique and surprising images, that are unusual in the everyday communication. In the cycle of poems Небесные стропы by Inna Lisnianskaya we are dealing with a creative combination of two metaphors LIFE IS A JOURNEY and MOVEMENT IS A CHANGE, where Lisnianskaya also used the picture of the angels hanging on the ropes in order to depict a man struggling with a number of cultural and emotional dependences.
6
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Metafora snu w cyklu wierszy Inny Lisnianskiej Sny starej Ewy

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Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2008
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vol. Tom 1 Nr XIII
307-318
EN
Inna Lisnianskaya’s writings, very private and intimate, often motivated with autobiographical reasons is saturated with universal truth about life. Lisnianskaya has created her poetic world on the basis of very strict and clear hierarchy of values. All of the problems of the mankind the poetess throw on her character who, with a great conscientiousness, carries her burden. The global responsibility she feels makes the linear world stop existing.In consisting of eighteen poems threnody series Inna Lisnianskaya experiences past and future in the presence by impersonating her character - ageing biblical Eve. The presence constitutes of her dreams. Dream is metaphorical by its nature. We do not treat pictures from our dreams literally. We analyze and interpret them no matter how real they are. A specific picture transferred from reality to a dream loses its connections with its context and become a polysemantic sign of another specific picture. In this way a dream manifests its metaphorical character.Metaphorical picture of a dream dreamt by lyrical I, created by Inna Lisnianskaya in the series of poems Сны старой Евы (Dreams of Old Eve), let the poetess for unique consolidation of emotions and reflections on life and death.
7
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Motyw krwi w poezji Inny Lisnianskiej

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Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2011
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vol. Tom 1 Nr XVI
127-135
EN
Inna Lisnianskaya is a Russian poet who has been continuously writing since the fifties andthe author of hundreds outstanding poems. She has built her poetic universe on the basis of certainconcepts. Some of them appear more often than the others and blood is one of them. Abouta hundred of Inna Lisnianskaya’s poems that include the motif of blood was chosen for this work.Their analysis (in accordance to the studies of R. W. Langaker) is to show that the phenomenon ofsubjectification is the basis of the conceptualization process.
8
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PRZESTRZENIE MENTALNE W POEZJI INNY LISNIANSKIEJ I WISŁAWY SZYMBORSKIEJ (NA PODSTAWIE TOMIKÓW POETYCKICH ИЕРУСАЛИМСКАЯ ТЕТРАДЬ I TUTAJ)

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Nikadem-Malinowska E.
Acta Neophilologica
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2010
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vol. XII
145-152
EN
Metaphorization in poems is a specific phenomenon. Poetry, having different function from that of everyday language, uses metaphorization through encoding and decoding a message. Unusual metaphors make communication between an author and a reader more difficult, but also more attractive. By dint of metaphor an idea concentrates greatly and a reception of a message, apart from the message itself, provides aesthetical values. Relations between time and space in a poem, where presented world is minimized, are always metaphorized. In order to define them, cognitive poetry uses the term of mental spaces. The author of this work is going to characterize these spaces in poems of two poets – in the Inna Lisnianskaya’s Иерусалимская тетрадь and Wisława Szymborska’s Tutaj.
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Metafora lustra w poezji Inny Lisnianskiej (na podstawie cyklu wierszy Старое зеркало)

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Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2009
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vol. Tom 1 Nr XIV
159-166
EN
Metaphor, as a basic tool of our mind, allows us to tap the potential of a language grounding on the knowledge and imagination of its user; ascertain the new through the old and unknown through the known. Poetic metaphor, which is a carrier of information and tool of communication, is the object of this study. Poetry of Inna Lisnianskaya could be holistically treated as a metaphor of a mirror. The subject of this analysis is the cycle of poems Старое зеркало. Inna Lisnianskaya, by identifying living with being a living mirror extends the meaning of this metaphor to: I AM A MIRROR.
10
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Duchowość w poezji Ełły Krylowej jako efekt amalgamowania przestrzeni mentalnych podmiotu lirycznego (na podstawie tomiku wierszy Мерцающий острое)

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Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2010
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vol. Tom 1 Nr XV
81-96
EN
The element that connects the thematically diversified works of the Ella Krylova is spirituality- poet’s closeness with God and nature. In 2010 Ella Krylova released her next volume- Мерцающий остров. Cognitive poetics uses the notion of mental spaces, as conceptual areas, that contain specific Information. Blending of these spaces adds a new value to its macrostructurethat a poem constitutes of. In the consciousness of the lyrical I, spaces filled with mythology,religion, culture and nature appear simultaneously. Their integration is conducive to the integrationof various expressions and broadens the poetic language.
11
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Konceptualizacja słowa w poezji Inny Lisnianskiej (na podstawie cyklu wierszy Cлово без имени)

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Nikadem-Malinowska E.
Acta Neophilologica
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2012
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issue XIV/2
177-184
EN
The specificity of poetic language boils down to changing the meaning of words that have already been used many times. Starting from the basic level of a word categorization, a poet, thanks to subjective associations, knowledge and experience transforms them into a new quality characterized by semantic precision and emotional sophistication. The cycle of poems of Inna Lisnyanskaya Слово без имени (2007) is an example of such a conceptualization.
12
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Magiczny świat Wieni Jerofiejewa (na podstawie poematu "Moskwa - Pietuszki")

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Nikadem-Malinowska E.
Acta Neophilologica
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1999
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issue I
121-127
13
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Hiob, czyli o sensie cierpienia w poezji Josifa Brodskieg

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Nikadem-Malinowska E.
Acta Neophilologica
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2001
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issue III
231-238
14
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Pan Cogito na horyzoncie zdarzeń. Język poetycki Josifa Brodskiego i Zbigniewa Herberta jako instrument procesu myślenia

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Nikadem-Malinowska E.
Acta Neophilologica
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2004
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issue VI
5-13
15
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Konceptualizacja straty w cyklu wierszy Inny Lisnianskiej Без тебя

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Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2013
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vol. Tom 1 Nr XVIII
79-89
EN
Inna Lisnianskaya’s cycle Без тебя consists of fourteen poems. It was written within fourdays - between 24 and 27 May 2003. Each poem presents the emotions felt by the lyrical subjectwho experiences a painful loss of a loved one. Lisnianskaya’s loss is conceptualised in a holistic manner - each poem constitutes an independent conceptualisation of loss, however, their hierarchy creates the superordinate concept the whole cycle is devoted to.
16
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Fenomen w "martwym lustrze": poezja Josifa Brodskiego w kontekście ewolucji sztuki europejskiej

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Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2004
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vol. Tom 1 Nr IX
97-119
EN
The presence of the ancient Greek culture as a source of ethics and aesthetics in the life of a contemporary European is norm. The European art, including literature, has drawn inspiration from Greece for so many centuries now. Joseph Brodsky felt its during his successure stay in Venice. His entire artistic road consists in analyzing and synthesizing particular centuries of art, great painters, musicians, poets and philosophers. The cultural heritage passed on to him constitu­ tes our common good. The evolution of the European art shows what kind of path each artist, aware of his/her origin and abilities, followed. The tendency to generalize, to think abstractively, expressing itself in phenomenologizing the elements of reality, grew and strengthened along with the thought that led the poet to peaks of philosophy and artistry. To be able to verbalize this thought, reflected in a „dead mirror” is given to few.
17
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OBRAZOWANIE SAMOTNOŚCI W WIERSZU JOSIFA BRODSKIEGO НОВЫЕ СТАНСЫ К АВГУСТЕ W UJĘCIU KOGNITYWNYM

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Nikadem-Malinowska E.
Acta Neophilologica
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2009
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vol. XI
97-106
EN
many years. The subject matter of this research will be a poem Новые стансы к Августе from the collection of the same title. Thanks to cognitive methods, the analysis of loneliness that is carrying out in it by Brodsky underlines paradoxical variety of his poetry. According literature should be treated as a set of linguistic phenomena that has cognitive basis. The authoress of the present research is focusing on the figure-ground organization which is considered by Peter Stockwell to be notably useful for interpretation of the issues if literary criticism.
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KONCEPT SNU W CYKLU WIERSZY INNY LISNIANSKIEJ НЕПРАВИЛЬНЫЙ ВЕНОК

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Nikadem-Malinowska E.
Acta Neophilologica
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2012
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vol. XIV/1
185-192
EN
Metaphorisation is the basis of poetic language. The main basis of poet’s creative process is intuitive thinking. This paper is devoted to the cognitive analysis of the Inna Lisnianskaya’s cycle, due to its excessively developed concepts of sleep and dream. In the fourteen sonnets, linked together by composition and plot, the poet creates an image of a timeless reality of dreams which is composed of mythical, biblical, historical and biographical elements. Since learning is mainly based on finding similarities, Lisnianskaya combines the concepts of water, waves, sea, chaos, the ark, wine, love, life and death and builds a dreamlike world in which lyrical characters are able to handle the matters interrupted by their separation.
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Przeżycie estetyczne wobec rzeczywistości realnej jako inspiracja literacka (napodstawie wierszy „Motyl" i „Mucha” Josifa Brodskiego)

100%
Nikadem-Malinowska E.
Acta Neophilologica
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2000
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issue II
179-184
20
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Europejskość jako cecha emigracyjnej twórczości Josifa Brodskiego i Czesława Miłosza

75%
Nikadem-Malinowska E.
Acta Polono-Ruthenica
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2002
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vol. Tom 1 Nr VII
59-63
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