Search results

1

RECENZJA: Iwona Słomak, Retoryka miłosnej batalii „Wojsko serdecznych nowo rekrutowanych afektów” Hieronima Falęckiego, Warszawa 2017, ss. 247

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Kuran M.

Zagadnienia Rodzajów Literackich

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2018

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vol. 61

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issue 3(127)

119-132

2

Obraz Egiptu w "Peregrynacyi Arabskiej" Berharda von Breydenbacha w przekładzie Andrzeja Wargockiego i w "Peregrynacyi" Mikołaja Krzysztofa Radziwiłła Sierotki – analiza porównawcza

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Kuran M.

Przegląd Orientalistyczny

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2020

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issue 2-3 (274-275) "Świat islamu w perspektywie badań arabistycznych i politologicznych Historia i współczesność"

187-201

EN

The article shows similarities and differences in the picture of Arabian world in Egypt. It was sketched in two relations from journeys including Egypt. They are connected by the person of translator, Andrzej Wargocki, who translated them from Latin into Polish. Here is to mention the Arabian Peregrination of Bernhard von Breydenbach (1440–1497) and Peregrination or Pilgrimage to the Holy Land of Mikołaj „Orphan” Krzysztof Radziwiłł (1549–1616). Their literary shape was influenced by travel route, length of stay in Egypt, material status of a pilgrim, mean of transport, political and religious circumstances, writings read before expedition, testimonies of encountered people. In the article is characterized: the word of nature (fauna and flora), image of the route, fortifications and infrastructure of cities, pyramids, customs of inhabitants, traffic, religious issues and human trafficking.

3

Biografia w kazaniach pogrzebowych Jakuba Olszewskiego

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Kuran M.

Autobiografia. Literatura. Kultura. Media

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2018

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issue 2(11)

85–115

PL

Przedmiotem rozważań jest sześć kazań pogrzebowych z lat dwudziestych i trzydziestych XVII wieku jezuity Jakuba Olszewskiego upamiętniających Samuela Paca, Annę Sapieżankę Radziwiłłową, biskupa Eustachego Wołłowicza, ks. Jana Karola Białłozora, Krzysztofa Mikołaja Sapiehę oraz Gryzeldę Wodyńską Sapieżynę. Kaznodzieja żegnał osoby obu płci, w różnym wieku, duchowne i świeckie. Celem studium jest ukazanie, w jaki sposób i na ile kaznodzieja włącza biografię zmarłego w koncepcję kazania pogrzebowego, ustalenie tego, w jakim stopniu interesuje go autentyczny życiorys, a na ile postawa oraz – szczególnie – realizacja zamysłu moralistycznego. Na ile Olszewski korzysta ze schematu pochwały opracowanego przez Kwintyliana, a na ile czerpie z modelu znanego z hagiografii. Chwaląc zmarłych, Olszewski odwołuje się do symboliki heraldycznej, wykorzystuje też miejsca (loci) podane przez Kwintyliana. Za istotne uznaje kaznodzieja także przywołanie świadectw heroicznej wiary, które czerpie od spowiedników zmarłych. Kreując wzorce osobowe, dąży do osiągnięcia celu parenetycznego. W praktyce kaznodzieja podaje informacje mówiące o: genealogii, indywidualnych doświadczeniach życiowych (a w przypadku mężczyzn o ich działalności publicznej), praktycznej pobożności, cnotach moralnych, jałmużnie, działalności fundatorskiej i pobożnej śmierci. Kaznodzieja więc nie stawia sobie za cel przedstawienia biografii osoby zmarłej, lecz nakreślenie wzorców osobowych reprezentatywnych dla modeli, jakie podsuwa dola zmarłego. Mówca uczy słuchaczy sztuki dobrego życia, ukazuje godne naśladowania postawy. Olszewski łączy schemat podany przez Kwintyliana z elementami schematu znanego z hagiografii. Ukazuje model świętości dostępny dla każdego. Jego biografie mają zatem profil laudacyjno- -parenetyczny.

EN

The subject of deliberation is a piece of six funeral sermons from 20. and 30. of 17th century written by Jesuit Jakub Olszewski who reminds Samuel Pac, Anna Sapieżanka Radziwiłłowa, Bishop Eustachy Wołłowicz, Priest Jan Karol Białłozor, Krzysztof Mikołaj Sapieha and Gryzelda Wodyńska Sapieżyna. The purpose of the study is to present how and how much the preacher introduces biography of the deceased in the concept of funeral sermon, determining how much interesting for him is a real biography, and how much the attitude, as well as executing the moralistic plan. To what extend Olszewski uses established by Quintilian eulogy scheme and how much he extracts from a model known from historiography. Praising the deceased Olszewski refers to heraldic symbolism, he also uses loci given by Quintilian. As important the preacher considers also recalling testimonies of heroic faith, which he draws from confessors of the deceased. Olszewski by creating personal patterns pursues to achieve his parenetic objective. In practice the preacher gives information telling about: genealogy, individual life experiences (in case of men – about their public activity), practical piety, moral virtues, charity, fundatory activity and pious death. Therefore, the preacher does not set an objective to present biography of deceased person, but sketches personal patterns of representative models, which are given by fate of a deceased. Speaker teaches auditors the art of good life, as well as he presents demeanors worth imitating. Olszewski thus combines scheme given by Quintilian with the elements of scheme known from hagiography. He presents the pattern of sanctity available to everyone. His biographies have a laudatory-parenetic profile.

4

Pamięć o heroicznych czynach i cnotach rycerskich sławnych obrońców ojczyzny utrwalona w kazaniach funeralnych Fabiana Birkowskiego OP

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Kuran M.

Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej

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2019

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vol. 25: Pamiątka, hołd, laudacja w literaturze i kulturze

37-63

EN

The study is dedicated to identifying the ways in which memory works in the funerary sermons by Fabian Birkowski, preached and published with the aim of commemorating the achievements of Jan Zamoyski, Jan Karol Chodkiewicz, Bartłomiej Nowodworski, Jan Wejher, Stefan Chmielecki, Zygmunt Śrzedziński, Krzysztof Zbaraski and Joachim Ocieski. The aim of the work is to reconstruct the strategies of commemoration in the creative, dispositional and elocutionary dimensions of the sermons themselves, as well as in the elements of front matter and end matter of the pieces: the titles, epigraphs, prefaces and censor’s approvals. The commemoration is achieved through the depiction of the deceased’s accomplishments against the backdrop of biblical and mythological tradition, and of literature, from classical, through to medieval and late-Renaissance. The preacher strives for the inclusion of the deceased’s achievements in the canon of collective memory, in which they are preserved as excellent knights, leaders, chancellors or diplomats, proving their courage, valour, virtue, piety, concern for their fatherland and for the civil liberties of the nobility. The research material is also analysed in the context of the notions of memory related to the field of contemporary humanities (places of memory, collective memory, vehicles of memory, identity and post-memory).

5

„Zwycięstwo bogów” – Jacka Idziego Przybylskiego zaginiony przekład „Victoria deorum” Sebastiana Fabiana Klonowica

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Kuran M.

Pamiętnik Literacki

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2022

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vol. 113

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issue 2

261-275

PL

We wstępnej części artykułu autor referuje dotychczasowy przebieg badań nad poematem „Victoria deorum” Sebastiana Fabiana Klonowica, uwzględniając zagadnienie szlachectwa, alegoryczność utworu, jego kwalifikację genologiczną i tematyczną, przynależność do staropolskiej literatury parenetycznej, objaśnienie tytułu, rolę kontekstu mitologicznego, problematykę społeczną, konstrukcję dzieła, dzieje druku oraz antyczne i nowożytne źródła erudycji. Następnie przybliża dzieje tłumaczeń „Victoria deorum” (zarówno tych pozostałych w rękopisie, jak i fragmentów drukowanych w pracach badawczych), a także wspomina cząstkowe edycje łacińskie dzieła i cytuje fragmenty translacji autorstwa uczonych. Badacz informuje o odkryciu uznawanego za zaginiony przekładu Jacka Idziego Przybylskiego i charakteryzuje jego rękopis, odnaleziony w zbiorach Ambrożego Grabowskiego zdeponowanych w Archiwum Narodowym w Krakowie, po czym rozważa przyczyny, dla których tłumacz poniechał dalszej pracy, a Grabowski nie opublikował dzieła przyjaciela.

EN

In the initial part of the paper, the author revises the state of research in Sebastian Fabian Klonowic’s poem “Victoria deorum” to this day, taking into consideration the issue of nobility, the allegorical nature of the piece, its literary genetic and thematic qualification, affinity for Old-Polish paraenetic literature, explanation of the title, the role of mythological context, social problems, construction of the work, printing history as well as ancient and modern sources of erudition. Next, he describes the history of translations of the piece (both those that remain in manuscripts and fragments printed in research papers), mentions partial Latin editions of the work and quotes fragments of scholars’ translations. He also informs about a discovery of a translation, regarded as lost, by Jacek Idzi Przybylski, characterises its manuscript found in the collection of Ambroży Grabowski, deposited in the National Archive in Cracow, and follows to consider the reasons why Przybylski stopped his translation and Grabowski failed to publish the work of his friend.

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„Żądza pisania” jako przejaw postawy twórczej Marcina Paszkowskiego

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Kuran M.

Śląskie Studia Polonistyczne

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2013

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issue 2(4)

45-69

EN

Paszkowski’s writing desire derives from the following reasons: his willingness to satisfy the material needs (Paszkowski was a writer), fulfill a public mission via informing the society about momentous current events and educating the society within the civic and religious spheres (Paszkowski is an Old-Polish moralist). His artistic programme in which he gave reasons for his literary activity, was formulated most clearly in Zamknienie do łaskawego Czytelnika supplementing Dzieje tureckie. The reason why the author took this literary effort is not an internal obligation not supported by external factors. On the contrary, the poet took up and conducted a literary activity under the influence of circumstances, and impulses coming from the world. The main motive of writing was worrying about the good of not only the citizens, but also all inhabitants of the Republic of Poland.

FR

La passion d’écriture de Paszkowski résulte des causes suivantes : la volonté de satisfaire des besoins matériels (Paszkowski a été un écrivain professionnel), la mission publique à travers l’information de la société sur des évènements significatifs courants et l’éducation de la société dans les sphères civique et religieuse (Paszkowski est un moraliste de l’ancienne Pologne). Paszkowski a formulé son programme artistique, où il a expliqué les causes de son activité littéraire, de manière la plus visible dans Zamknienie do łaskawego Czytelnika, complétant Dzieje tureckie. La raison d’entretenir par l’auteur la labeur d’écriture n’est pas un impératif intérieur, non renforcé des facteurs extérieurs. Au contraire, le poète s’est engagé dans la production littéraire sous l’influence de circonstances, des impulsions provenant du monde. Le motif crucial d’écrire était la préoccupation pour le bienêtre non seulement des citoyens, mais aussi de tous les habitants de la République de Pologne.

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Kuran M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2008

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vol. 10

EN

This article presents one of the poetic texts which describes the Battle of Chocim of 1621 from Muslum Turkey. The author connected a few literary conventions such as epic, news, and popular. He briefly presented developments, though not all stages of the battle. Paszkowski chose some important moments and only a few heros: king’s son Władysław Waza, Polish commander Chodkiewicz, Baptista Weweli, and Turkish hero - Pasha Karakasz. Paszkowski wrote for contemporary people and built his relations from information, which was brought to him by other authors who wrote prose and memoirs. Paszkowski didn’t intend to give a detailed description of the incidents. He prepared a propaganda relationship for popular recipients.

13

Poemat epicedialny Mikołaja Fatowicza "Odmiana żalu w pociechę synowi" - w rocznicę śmierci księcia Janusza Wiśniowieckiego

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Kuran M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2006

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vol. 08

EN

In the first part of this paper (it’s a preface to the edition) the author shows the rudimental elements of construction in this epicedial poem: exordium, comploratio and consolatio and presents step by step elemental structure of Odmiana żalu. The author tries to shows a relation between Fatowicz’s poem and neoplatonism philosophy. Fatowicz built texts with two parts. In the first he talks to the widow and reminds her of feelings from a year ago. In the second he makes a vision of a new sun (old was out with the death of prince Janusz Wiśniowiecki before last year), which will shine in a microcosmos of Wiśniowiecki’s world. The second part of this paper is an edition of Odmiana żalu w pociechę synowi, in the transcription type В, and copy the original text with languages, ancient cultures, and historical commentary.

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"Bitwa wołoska" Krzysztofa Poradowskiego - zmagania mołdawskie Samuela Koreckiego i Michała Wiśniowieckiego oraz klęska książąt pod Sasowym Rogiem w roku 1616

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Kuran M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2009

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vol. 12

EN

Nowadays Krzysztof Poradowski is an unknown author. His text Wołoska Battle combines certain plots: occasional, political, and funeral. First part of this text is an appeal to the sons of Kingdom. Author invites young people to participation in the war. What is more, this part notifies about the death of Prince Michal Wiśniowiecki and Samuel Korecki. Poradowski laments and praises for deceased. Second part of the Wołoska Battle is a history of a struggle in the Moldavia and relations after defeat under Saxon Horn in 1616 year. This time Turks caught Samuel Korecki and closed him in the prison. In the third part Poradowski prays to God for liberation and appeals to the knights or war enthusiasm. The last part of the Wołoska Battle is a Latin poetry in form of echo. It’s a next praise of Korecki.

15

Etos wodza w twórczości Samuela Twardowskiego

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Kuran M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2005

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vol. 07

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issue 1

EN

In this paper the author shows a few personifications the commander in Samuel Twardowski’s heroic creation. He chooses only theses situations, which the poet presents his principal hero only in the very important situation for the republic’s history. The author showed headman election, hetmans death, why he acts as the hetman to his death, the commander as orator, the hetman as negotiator and the commander on the battlefield. The author described few important military situations, in the knight’s live seventeenth century commanders, for instance: Stanisław Żółkiewski, Jan Karol Chodkiewicz, Jeremi Wiśniowiecki etc., when they spoke to his knight, when they fought and sometimes died. In the commanders’ ethos was of importance, in the Twardowski’s creation and in all old Polish culture, that he combined elements of senator, diplomat, orator, headman and knights.

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Samuel Twardowski w literackiej szkole Mikołaja Reja

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Kuran M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2007

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vol. 09

EN

The text presents few analogies between the literary worlds of Samuel Twardowski and the older, Mikołaj Rej. 1. The two authors chose the Polish language for their literary makes; 2. They were inspired by European and Polish Latin literary works; 3. They wrote works which belong to occasional literature; 4. These two writers were very important and established good contact with a community of readers; 5. Autobiographical texts exists in their literature; 6. Rej and Twardowski analyzed soda! phenomenons with preserving the point of view of a broad opinion-created perspective of knighthood; 7. The two authors belong to a tradition of gentry literature; 8. Children’s education is an important topic in their literary works; 9. Very important is the texts didactism and the creation of personal models; 10-11. They were interested in the printing of their texts and the popularity of their literature in the midst of their contemporaries. Their popularity was brief because the generation Rej and Twardowski wrote for past on; 12. Their works were republished often during their lives and only few years past their deaths. This analogy speaks to the similarities of Rej and Twardowski’s literary road. I don’t suggest any immediate literary relationship between these scriptures. Now we may talk about exdusively, Twardowski’s attachment to Rej’s literary school.

17

Ku nieśmiertelnej sławie – Tomasz Zamoyski w oracjach pogrzebowych

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Kuran M., Katedra Literatury Staropolskiej i Nauk Pomocniczych U. Ł.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2010

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vol. 13

PL

Tekst został wygłoszony podczas konferencji „Zamoyscy w dziejach Polski. W kręgu polityki, gospodarki, prawa i kultury”, Zamość, 15–17 września 2005 r.

EN

Tomasz Zamoyski died on the 8th of January 1638 (born on the 1st of April 1594). The text is a presentation and analysis of four, conceptual and funeral orations, which were written by: Stanisław Szałapski SJ, Bartłomiej Sylwiusz SJ, Marek Korona and Mikołaj Ławrynowicz. The first part of the article is a presentation of conceptual structure of orations and as well as analysis of titles and role of mottos from Bible. The second part of article describes Tomasz Zamoyski’s glowing effigy. Author uses rhetorical scheme laudatio personae, which was constructed from circumstances inner (family stock, ancestors, birth, education, attributes of body and soul, actions) and external (family, friends, descendants, time of his life, types of death). Orators built the glowing effigy of Tomasz Zamoyski, and his life presents a humanistic model of human and citizen.

18

O wariantach kaliskiej edycji Wojny domowej Samuela Twardowskiego

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Kuran M.

Acta Universitatis Lodziensis. Folia Librorum

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2010

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vol. 16

EN

This article presents the problems with establishing a foundation for the edition titled Civil War by S. Twardowski. Before World War II, Part One was a Cracow published text from 1660 parts two-four were in manuscript form. Due to the destruction of the manuscript, Jesuits currently published a censored edition which does not take into account Kalisz’s edition from 1681. The Kalisz edition has a few variants that are primarily found on pages 1-24 of the second part of this work. Their considerable scope proves that these pages were folded twice. There is also a variant in the title represented by a copy in the Library of Warsaw. The activities of the Jesuits show considerable consideration about the quality of the published volume Civil War and wanted to celebrate the 20th anniversary of the poet's death and establish a teaching program in their colleges.

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Spór o autorstwo Sarmatiae Europae descriptio a działalność translatorska Marcina Paszkowskiego

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Kuran M., Katedra Literatury Staropolskiej i Nauk Pomocniczych U. Ł.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2011

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vol. 14

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issue 2

EN

This article presents the disputed history of the authorship of Sarmatiae Europae Descriptio, with scholars’ debates lasting from the 18th century to contemporary times. Some concede to Maciej Stryjkowski’s claim towards Aleksander Gwagnin, who was accused of plagiarism. Others deem Gwagnin’s work as being original. Constructing his text, Gwagnin drew from printed books and manuscripts by Stryjkowski. Some scholars also point out to other resources. Gwagnin’s text is a well of knowledge, which is a compilation of information from many sources. The conceptualisation of the entire work makes form the originality of this work. Paszkowski not only translated the Polish version of Gwagnin’s work, but also added some of excerpts, each time signalling his authorship. It cannot be determined in what capacity he contributed otherwise

20

Bohater zbiorowy w twórczości heroicznej Samuela Twardowskiego

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Kuran M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

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2003

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vol. 06

EN

In this paper the author shows that a crowd in Twardowski’s production becomes a community significant, not only ornamentical. This crowd consists of the nobility and a persons Trom behind the ethos. Twardowski produces a part of the nobility on the structure of presented world and he pays attention to their behaviour: knightly and not knightly. Samuel of Skrzypną shows a struggle on the battle field between antagonistic armies. These armies are presented as an anonymous masses. The poet only occasionally mentions single knight’s unusual contribution. The describes its to open the reading public’s eyes to contribution one and all to the victory. Author of this work also takes up the up-service, so-called camp-followers, their picture in Twardowski’s works. This pictures changes. The camp-followers become conscious of their own power. They see that their actions can influence the results of military campaign. In this paper portrait of Cossacks war skipped. Twardowski like enough the first epic writer notices and appreciates an import of masses in the 17th century literature.

Refine search results

RECENZJA: Iwona Słomak, Retoryka miłosnej batalii „Wojsko serdecznych nowo rekrutowanych afektów” Hieronima Falęckiego, Warszawa 2017, ss. 247

Obraz Egiptu w "Peregrynacyi Arabskiej" Berharda von Breydenbacha w przekładzie Andrzeja Wargockiego i w "Peregrynacyi" Mikołaja Krzysztofa Radziwiłła Sierotki – analiza porównawcza

Biografia w kazaniach pogrzebowych Jakuba Olszewskiego

Pamięć o heroicznych czynach i cnotach rycerskich sławnych obrońców ojczyzny utrwalona w kazaniach funeralnych Fabiana Birkowskiego OP

„Zwycięstwo bogów” – Jacka Idziego Przybylskiego zaginiony przekład „Victoria deorum” Sebastiana Fabiana Klonowica

„Żądza pisania” jako przejaw postawy twórczej Marcina Paszkowskiego

Tryumf Taidy ogłoszony. O diariuszu obłóczyn u dominikanek lwowskich księżnej Teofili Wiśniowieckiej w 1753 roku

„Kolęda, Nowe Lato i Szczodry Dzień” — geneza, rozwój i schyłek gatunku w XVII wieku

Prolegomena do twórczości Wawrzyńca Chlebowskiego. Stan badań i kierunki dalszych prac

Struktura i problematyka kazań tryumfalnych Piotra Skargi wygłaszanych z okazji zwycięstw wojennych

Wprowadzenie

"Chorągiew sauromatcka w Wołoszech" Marcina Paszkowskiego jako przykład epickich nowin poświęconych batalii chocimskiej z 1621 roku

Poemat epicedialny Mikołaja Fatowicza "Odmiana żalu w pociechę synowi" - w rocznicę śmierci księcia Janusza Wiśniowieckiego

"Bitwa wołoska" Krzysztofa Poradowskiego - zmagania mołdawskie Samuela Koreckiego i Michała Wiśniowieckiego oraz klęska książąt pod Sasowym Rogiem w roku 1616

Etos wodza w twórczości Samuela Twardowskiego

Samuel Twardowski w literackiej szkole Mikołaja Reja

Ku nieśmiertelnej sławie – Tomasz Zamoyski w oracjach pogrzebowych

O wariantach kaliskiej edycji Wojny domowej Samuela Twardowskiego

Spór o autorstwo Sarmatiae Europae descriptio a działalność translatorska Marcina Paszkowskiego

Bohater zbiorowy w twórczości heroicznej Samuela Twardowskiego