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GAEA- PRINCIPE PASSIF; LA SYMBOLISATION SOCIALE DU MYTHE

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Dărăbuş C. C.

Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

2010

vol. 2

75-91

The paper Gaea – Passive Principle; the Social Symbolization of the Myth observes, in the Naturalistic esthetic context, with realistic nuances, the relationships of the characters with property. The Earth, a strong symbolic presence in universal literature becomes a metaphor of germination, of the opposition with the sky. The Earth structures communities and individual destinies in a circular construction in the novels The Earth by Emile Zola and Ion by Liviu Rebreanu, but then becomes again the primordial chaos. Masculine and feminine principles are in perpetual confrontation; at the symbolic-anthropological level, earth, life and death are in a cosmic connection, viewed as a condition of the eternal revival. The human regnum, the animal regnum and the vegetal regnum are, more often than not, indistinct in their vibrations. Apparently a passive principle, the earth provokes in the human being all his latent instincts, ready for the Dionysian exultation and for death.

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1 Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

1 Dărăbuş C. C.

1 2010

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GAEA- PRINCIPE PASSIF; LA SYMBOLISATION SOCIALE DU MYTHE