Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

SYSTÉM ŘÍZENÍ FRANCOUZSKÝCH NÁRODNÍCH MUZEÍ

100%
Prokůpek M.
Muzeológia a kultúrne dedičstvo
|
2017
|
vol. 5
|
issue 1
159 – 169
EN
This paper analyses the history and the current state of the French museum system. French state museums have always played an important role in French public life and the government has used museums as symbols of political power and promulgators of ideology. This was most evident during the French revolution when Louvre was first opened and many other state museums were founded. The French museum system has always been strongly centralized both in geographical terms and in terms of administration and funding. Recently, the French government has begun to move away from this model and allow for regional and municipal satellite museums to be built, while at the same time, Louvre and Centre Pompidou were allowed to license their names to branch museums built outside of France (Abu Dhabi and Shanghai). At the same time, there is a movement to decentralize museum administration and management and give them more autonomy.
2

ACQUISITION FUND: AN UNRECOGNISED TREASURE WITHIN THE CULTURAL POLICY OF THE CZECH REPUBLIC

63%
Horňáková L., Prokůpek M.
Muzeológia a kultúrne dedičstvo
|
2021
|
vol. 9
|
issue 2
47 – 59
EN
The paper elaborates on the Acquisition Fund for Contemporary Art established in 2017 in the Czech Republic by the Ministry of Culture. Paradoxically, this fund is perceived both positively and negatively by various institutions. On the positive side, from the year 2017 to 2019, the fund has allocated 41,257,888 CZK (1,517,753 EUR) for the purchase of 287 artworks by 29 institutions. On the negative side, only 29 out of 218 eligible institutions have applied for support from the fund during the three years of the fund’s existence. This low application rate is attributed partly to the time consuming and complicated administration of the application for support, and partly to apprehension from some institutions regarding the likelihood of the actual realisation of the receipt of financial support. In turn, due to this low application rate, the institutions that have applied have had a high probability of receiving funding. The paper sheds new light on the lack of financing for acquisition in art institutions and opens the question of the effectiveness of the Acquisition Fund in the Czech Republic.
3

EVALUATING THE RECEPTION OF AN EXHIBITION: DETERMINATION AT THE DOX CENTRE FOR CONTEMPORARY ART

51%
Ballarini M., Mougenot C., Prokůpek M.
Muzeológia a kultúrne dedičstvo
|
2019
|
vol. 7
|
issue 1
41 – 55
EN
The aim of this paper is to analyse the impact of the exhibition on visitors’ thinking process. Applying Greiman’s model, we used the exhibition DeTermination by the artist Daniel Pešta at the DOX Centre for Contemporary Art in Prague and explored the exhibition as a story. The model is used as a tool to better understand the thinking process of the visitor stimulated by the exhibition. Qualitative research approach was used. In order to capture a message of the exhibition, interviews with exhibition creators were conducted and afterward interviews with exhibition visitors. This article summarizes the creative methodology created by the authors, followed by a discourse analysis. The study asks questions like: what is the place of mediation in contemporary art? What is the impact of an exhibition on visitors´ thinking process?
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.