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1
Content available remote

ŽIVOTASCHOPNOSŤ JEDNÉHO PRÍSTUPU. POZNÁMKY KU KANTOVSKEJ LÍNII INTERPRETÁCIE KATEGÓRIE VZNEŠENÉHO

100%
Kvokačka A.
ESPES
|
2012
|
vol. 1
|
issue 1
17 – 23
EN
This paper pursues transformation of Kant's definition of the category sublime in post-Kantian aesthetic reflexion. Finding this line of thinking (Herder, Schelling) allows not only present relevant approaches to the whole history of the aesthetic category, but also to show the platform for new thinking not only in aesthetic discourse, but wherever the sublime enter today at the core of interest (art, ethics, etc.).
2
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PERIFÉRIA KULTÚRY, PERIFÉRIA UMENIA: DUBUFFET DNES

100%
Kvokačka A.
ESPES
|
2015
|
vol. 4
|
issue 1
21 – 25
EN
Globalization trends of culture, the idea of multiculturalism, bringing and acceptance of foreign elements into the culture, open coquetry of the "West" with culture and arts of the "East", eclecticism, but also paradoxical what happened to be the fate of modern art after postmodern deconstruction of the meaning (including also the sense of Art) and the reduction of his function to ability to serve in variable updating roles towards individual and society, is 46 years after the release of books Asphyxiating Culture repeatedly bringing me to read and review it. The topic, therefore, is to examine the validity of Dubuffet appeal, its insertion into the broader context of the forms of "dehumanization" of art, but also review of the reference just in the context of relations culture - art. New search respectively the determination of periphery in arts and culture should besides unfinished theme energizing academic debate of last years, if not decades, thus defining theme of Art (it defines itself not only its centre, but also its periphery). It can and it should briefly look at the issue of the institutionalization of art; the relationship of artistic production and its cultural context, which is not transferable; "foucaultian" power of discourse established by culture; extremely interesting affinity of art and advertising; aestheticism of culture; enforcement of discontinuity issues and pluralism as in the thought (philosophy, and culture in general) also within the artistic creation, namely for topics that Dubuffet advises and argumentations plays. Nearly half a century after his call and its final words -"therefore, our artistic production, which is not subjected to a thorough critique of culture and effectively not reveals the futility and absurdity, is not refuge for us" - we need to talk about our accountability.
3
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EVERYDAY HERITAGE AND AESTHETICS: A REPLY TO GIOMBINI

100%
Kvokačka A.
ESPES
|
2020
|
vol. 9
|
issue 2
62 – 65
EN
In this short paper, I examine the notion of everyday heritage as developed by Lisa Giombini in her article Everyday Heritage and Place-Making. While I argue that the article’s main contribution is to combine the literature on place-making with current debates in everyday aesthetics, I also highlight some of the issues that I think should be addressed to further refine the notion of ‘everyday heritage’ and make it more resistant to criticism.
4
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ESTETICKÁ SKÚSENOSŤ DNES. SKÚMANIE SOMAESTETIKY VO VZŤAHU K ESTETIKE KAŽDODENNOSTI A ESTETIKE ENVIRONMENT

100%
Kvokačka A.
ESPES
|
2015
|
vol. 4
|
issue 2
10 – 15
EN
The title of the paper is the allusion to an article by Richard Shusterman. In the text, I try to explore in the similar strategy the current state of aesthetic experience. Starting from The End of Aesthetic Experience I follow the notion of aesthetic experience which "will be strengthened and preserved the more it is experienced; it will be more experienced the more we are directed to such experience; and one good way of directing us to such experience is fuller recognition of its importance and richness through greater attention to the concept of aesthetic experience". Is the somaesthetics became the answer to the loss of interest in aesthetic experience? The answer lies partly in examining the relationship between aesthetic experience and aesthetics of environment and everyday aesthetics, which further analysis of the notion pointed Shusterman himself. The result of research leads us to renewed role of aesthetic experience in contemporary aesthetics beyond the aesthetics (or philosophy) of art.
5
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ODKRÝVANIE ESTETICKÉHO CHARAKTERU (VEĽKO)MESTA AKO KRAJINY: MESTSKÝ ENVIROMENT V POKANTOVSKEJ ESTETIKE 21. STOROČIA

100%
Kvokačka A.
ESPES
|
2013
|
vol. 2
|
issue 2
17 – 22
EN
The contribution has several aims. In addition to the discussion that follows variability of the concept of landscape and its relationship to the category of environment (particularly with regard to the urban environment, where it appears the concept of environment as a more adequate) the contibution focuses on the specific problem of the current aesthetics: transformation of aesthetic reflection of the city as a whole, which is realized by the contemporary aesthetics and philosophy through the Kantian aesthetics in Critique of Aesthetics Judgement. Elaboration of opinions of Marie Rubene and Miroslav Marcelli leads us not only to summarize the conclusions of recent theses, but further to reflect the transformation of (mega)city to a country, specific environment free from original effectiveness, where "human returns to natural and becomes a sort of huge subject, which is fluid in its inside ..."). Reflection is primarily guided by the category of sublime as an explanatory framework.
6
Content available remote

ŽIVOTASCHOPNOSŤ JEDNÉHO PRÍSTUPU. POZNÁMKY KU KANTOVSKEJ LÍNII INTERPRETÁCIE KATEGÓRIE VZNEŠENÉHO (POKRAČOVANIE)

100%
Kvokačka A.
ESPES
|
2013
|
vol. 2
|
issue 1
20 – 26
EN
To elaborate the intention of previous contribution, this paper opens again the problem of reception of Kant's definition of the category sublime. Variations which perform Schopenhauer, Nietzsche and Adorno represent some innovative approaches. Bridging the history of this aesthetic category in the 20th century in theirs thinking, represents functionality of the sublime, which we observe through the transformations in artistic and aesthetic discourse and which encourages us to contemporary revaluation of this concept.
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