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The search conducted by the Schola of the Wegajty Theatre has two objectives; it involves, on the one hand, the reconstruction of mediaeval manuscripts and, on the other hand, the staging of religious dramas. The author drew parallels between the research carried out by the Schola and the work performed by P. Nawrot, relating to the reconstruction of Baroque manuscripts from Bolivia; subsequently, he went on to compare African ritual drama and the Indian ramlila with the spectacles featured by the Schola.
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