The article is an overview of studies on the theme of childhood and the child as a specific literary hero of old Polish hagiography. Hagiographers tended to render the childhood of the saints within a schematic framework employing an abundant repertoire of rhetoric devices. But hagiography also gives fragmentary descriptions of customs connected with the relations between parents and children as well as with parental care and the bringing up progeny. For hagiographers childhood was above all a foretoken of the saint’s future virtues and works. The child itself, however, was not a suitable paragon to follow so hagiography rarely treated it as a hero in its own right.
The subject of analysis in the article is Ida Fink’s stories considered in the context of the poetics of minimalism. The author posits that a key function in this writer’s work is fulfilled by a strategy of astonishment, which allows us to speak about Holocaust in a hushed voice.