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Różewicz and Bonhoeffer. On the Margin of the Poem Learning to Walk by Tadeusz Różewicz

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Dakowicz P., University of Lodz F. o. P., pdakowicz@poczta.onet.pl
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2016
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vol. 38
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issue 8
EN
The departure point of the analysis presented in this article is a poem written by Tadeusz Różewicz learning to walk (nauka chodzenia). The protagonist of the poem is Dietrich Bonhoeffer, who created the theory of “religionless Christianity”. According to Bonhoeffer, a modern Christian has to immerse himself/herself in the “godless” world so that – in tandem with the Saviour – he/she can be experience the final abandonment. The author of this article tries to prove that the theology of Bonhoeffer had a great impact on Różewicz, making him reconsider his viewpoint on faith. Due to Dietrich Bonhoeffer, the poet also found a solution for a basic contradiction that was explicated in the famous poem entitled Bez (Without): “life without god is possible / life without god is impossible”.
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Między słowem, milczeniem i… słowem. O wierszu *** [Czas na mnie…] z tomu Płaskorzeźba

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Dakowicz P., Uniwersytet Łódzki I. F. P., Przemysław Dakowicz – dr a. w. K. L. i. T. R. m. U. Ł. Z. s. z. m. r. m. a. w. o. p. w. A. k. H. i. o. N. o. p. w. L. t. s., pdakowicz@poczta.onet.pl
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
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2013
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vol. 02
PL
Artykuł jest próbą analizy i interpretacji jednego z najbardziej „ascetycznych” pod względem formalnym utworów poetyckich Tadeusza Różewicza — wiersza [*** czas na mnie…] z tomu Płaskorzeźba.
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Historia – rzecz ludzka? Tradycja Norwidowska w wierszach Mieczysława Jastruna z lat 1939–1945

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Dakowicz P., Katedra Literatury i Tradycji Romantyzmu U. Ł.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2010
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vol. 13
EN
The article is focused on revealing traces of Norwid’s literary tradition hidden in the poetry of Mieczysław Jastrun written between 1939–1945. For the contemporary, twenty-century’s poetwitness of the Second World War the author of Vade-mecum turned out to be the master of historic maturity. Jastrun – willing to recognize Norwid as the forerunner of modernity and as the poet whose output only nowadays may be interpreted and appreciated in suitable way-used Norwid’s pattern of historical and philosophical reflection trying to face by poetry painful experience of Hitler’s occupation. The article tries to answer the question why Jastrun found suitable manner of expressing both individual as well collective experience particularly in Norwid’s literary output.
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Rzeki Miłosza

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Dakowicz P.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2005
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vol. 07
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issue 1
EN
The author presents the register of the real (sc. not imaginary) rivers that have been mentioned in Czesław Milosz’s poetry. The list of them is quite long - it includes fifty names of the rivers shown in alphabetical order. Most of those entries is accompanied by short interpretation of the poems in which definite name of the river can be found.
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"Wsłuchać się w szum wód głuchy." Rzeki Mickiewicza, rzeki Miłosza

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Dakowicz P.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2006
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vol. 08
EN
Adam Mickiewicz is for the author of Czeladnik the poet peculiarly important. With his output that is an inexhaustible source of philosophical inspiration Miłosz continually discusses (recently in Traktat teologiczny) and also reveals every now and again intelectual relationship that connect him with that nineteenth century poet. In this article I describe relations between the poetry of Miłosz and the output of Mickiewicz using as an example very significant for the two poets theme of river.
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