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1

'GODZINA MYSLI' (HOUR OF THOUGHT) AS A STUDY OF ROMANTICISM. DUALITY IN ROMANTIC LOVE ('Godzina mysli' jako studium romantyzmu. Dwoistosc w milosci romantycznej)

100%
Danek D.
Pamiętnik Literacki
|
2009
|
vol. 100
|
issue 3
87-106
EN
The treatise is based on a more general thesis concerning romantic literature, and investigated first and foremost on the example of Juliusz Slowacki's 'Hour of Thought' which says that though the literature in question was principally an expression of a young man's pains, it also encompassed his emotional past completed with pains of a man-child. Since this expression is either hidden or intermediary and effected with very particular artistic means of expression, it has so far been unnoticed. The aforementioned means of expression can only be traced today with the knowledge of mental phenomena as revealed by psychoanalysis. The combination of the two research methods - i.e. literary and psychoanalytical - and its application to the examination of so-called romantic love shows that the love in question is coupled with the feelings that join a child with its mother at the earliest stages of the child's life with its mother.
2

PORTRAITS OF ZOFIA SZYMANOWSKA AND HER 'MEMOIRS' IN SUCCESSIVE MS VERSIONS OF WLADYSLAW MICKIEWICZ'S 'MY MOTHER' (Wizerunki Zofii Szymanowskiej i jej 'Pamietnik' w roznych wersjach 'Mojej Matki' Wladyslawa Mickiewicza)

100%
Danek D.
Ruch Literacki
|
2010
|
vol. 51
|
issue 1 (298)
107-120
EN
The article sums up the results of a thorough examination of the MS versions of Wladyslaw Mickiewicz book 'My Mother' (1926). Housed in the Polish Library in Paris, the handwritten original text contains a series of personal accounts of the character of Zofia Szymanowska. These characteristics not only include a number of details that were left out from the published version but also produce a rather different portrait of Zofia Szymanowska from the one we have been familiar with (especially when it comes to her critical view of the Towianski millenarians around Adam and Celina Mickiewicz). In his notebooks Wladyslaw Mickiewicz admits that he is in possession of parts of Zofia Szymanowska's 'Memoir' (the parts that were lost, probably destroyed by him) and even quotes from them (this is the first time this extract has come to light).
3

Krasiński i doświadczenie miłości romantycznej

100%
Danek D.
Konteksty - Polska Sztuka Ludowa
|
2020
|
vol. 74
|
issue 1-2 (328-329)
431-453
EN
By referring to the legal principles of the European Convention for the Protection of Human Rights and Fundamental Freedoms, which grants man a right to privacy, as well as to generally binding ethical principles the author protests against issuing the private correspondence of poets and men of letters who did not express consent for such a publication, a practice common in the history of literature. Letters of this sort, as testified by the example of writings concerning the correspondence of Zygmunt Krasiński and Delfina Potocka, may become the object of further far-reaching abuse. The author of the article demonstrates that in this case they are associated with a lack of elementary education in the domain of contemporary psychology on the part of Polish researchers dealing with literature. By benefitting from the discoveries and conceits of classical Freudian psychoanalysis D. Danek shows how the bond known as Romantic love between Krasiński and Delfina Potocka was a deeply authentic experience whose roots reached a tragic childhood connected with an early loss of the mother and emotional abuse committed by the father.
4

Niewyrażalne, a jednak wyrażone prawdy żywe romantyzmu. Tajemnica miłości romantycznej

100%
Danek D.
Konteksty - Polska Sztuka Ludowa
|
2018
|
vol. 72
|
issue 1-2(320-321)
PL
Przedmiotem analizy jest miłość romantyczna jako szczególne doświadczenie młodego bohatera literatury okresu romantyzmu. Autorka przeciwstawia się rozpowszechnionemu w badaniach historycznoliterackich ujmowaniu miłości romantycznej jako li tylko literackiej konwencji czy stylizacji albo pozy bohatera romantycznego, a więc jako wymysłu literackiego pozbawionego wartości poznawczych. Wykazuje, że łącząc warsztat badacza literatury z warsztatem psychoanalitycznym można dostrzec w miłości romantycznej wyraz pewnych istotnych, a nawet prekursorskich odkryć psychologicznych. Analizy autorki wykrywają w doświadczeniu miłości romantycznej określone reminiscencje wczesnodziecięcej przeszłości emocjonalnej bohatera związanej z osobą matki, przeszłości, która u każdego człowieka, mimo że zazwyczaj znika z pamięci świadomej, zachowuje się w pamięci nieświadomej i wpływa na całe dalsze życie.
EN
This analysis focuses on Romantic love conceived as a particular experience of the young protagonist in literature from the era of Romanticism. The author opposes the interpretation of Romantic love – widely disseminated in studies on the history of literature – as a mere literary convention, stylisation or pose of the Romantic protagonist, i.e. a literary concept devoid of cognitive values. In doing so she demonstrates that while combining the workshop of the researcher dealing with literature and the psychoanalytical workshop it is possible to perceive Romantic love as an expression of certain essential and even precursory psychological discoveries. The author’s analyses discover in experiencing Romantic love distinct reminiscences of the protagonist’s emotional past going back to early childhood and connected with the mother figure; this is a past that in the case of each person is retained in unconscious memory and impacts a whole life despite the fact that it usually vanishes from conscious memory.
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