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INFORMATIVITY PATTERNS IN A POETIC TEXT (Hirertekviszonyok egy koltii szovegmoben)

100%
Buky L.
Magyar Nyelvor (Hungarian Language Guardian)
|
2009
|
vol. 133
|
issue 4
407-433
EN
Textuality is based on coherence in a poetic text (as well as in any text); and coherence may be contributed to by metaphors. The degree of informativity of metaphors is diverse, though. The study of informativity relationships in a poem by Milan Fust supports the claim that lyrical texts have high entropy values.
2

THEME AND VARIATIONS

100%
Buky L.
Magyar Nyelv (Hungarian Language)
|
2006
|
vol. 102
|
issue 1
57-72
EN
The text analysed in this paper is a poem by Sándor Weöres, entitled 'Theme and variations'. The eleven text sentence versions realize potential and fictitious semantic and syntactic language use in order to fulfil their pragmatic aim. That aim is to produce variations on the initial text sentence that may be taken to be an instance of standard language use, variations that are not primarily intended to perform linguistic communication as such. In them, it is not only natural emotive functions that direct the formulation of linguistic messages. Rather, they are code-oriented: driven by a syntactic-technical exploitation of the potentials of using linguistic signs with the highest possible degree of freedom. The fact that that procedure results in semantic and grammatical anomalies in part of the cases and that some sentences thus produced have no denotata whatsoever, hardly affects the evaluation of the whole text as a styleme, given that the whole of the text does not contain a message in the communicative sense. (Of course, the communicative contents of the first version is counted among the 'contents' of the text sentence versions.) All that is possible because the poem is an instance of the realization of the poetic function, one that can be presented in a quite simple manner.
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