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Franka i Wiryneja. Madame Bovary inspiracją portretów kobiecych w literaturze wybranych epok

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Pietkiewicz N.

Acta Polono-Ruthenica

2008

vol. Tom 1 Nr XIII

349-366

The article is an attempt of comparative analysis of two works, based on the Flaubert’smasterpiece, and which belong to the two different circles of culture: Polish and Russian-Soviet. Firstof this literary productions - is Eliza Orzeshkova’s Cham (1887), where life of fisherman’s wife - Franca is described, and the second - Lidya Seyfullina’s Viryneya (1924). These works, although written in different epochs, countries, and political realities, are taking up the dialogue with Flaubert’s novel. Some references are visible in such literary tricks as e.g: technique of the leading heroine’s presentation, her external image, (compared with her character) or in the vision of local community, which is establishing authority over the heroin’s way of living. Through the heroine’s character authors are showing a two different variants of socio-psychological phenomenon, so called: „bovarisme”. In the Orzheshkova’s novel there is a first variant of „bovarisme” - „conservative bovarisme” (alias „bovarisme of pauperization”). The point of this variant is that the pauperized persons are compensating their poor situation by the way of glorification his (her) social roots and believing in temporary character of social degradation. The second more optimistic variant, which has been shown in Seyfullina’s work, is connected with cutting out from somebody’s roots to reach out a better social and economical situation. These two selected works are underlying a difference between thesetwo attitudes and at the same time - they are showing a similarity in method of presentation theliterary images of the heroine. They are also confirming universal character of „bovarisme”, which in this aspect is occuring in the literature regarded to such social leitmotives as „vertical mobility” and methods of social advancement of stated social groups and individuals.

Wizerunek Polki w opowieści Oko cyklonu Aleksandra Woronskiego w świetle koncepcji poznania „Innego” autorstwa Emanuela Levinasa

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Pietkiewicz N.

Acta Polono-Ruthenica

2009

vol. Tom 1 Nr XIV

199-210

The article is dedicated to an analysis of female character from Russian story of the 30-ties of 20th Century on the basis of Wanda Dąbrowska’s example. She is playing a role of protagonist and cooperator of Russian revolutionist - Walentyn, and - on the other hand - she is an important factor, which is inspired main Hero to thinking about the human fate in history and the meaning of revolutionary activity. In this way the Reader receives a double imagine of Woman, who are representing another nationality. This double imagine is a consequence of Wanda’s character creation in the narrative strate by the main Hero - another fictional character, which is also an alter ego of the Writer, and - in the same time - by the Writer himself, who decided to set this story in the Belarussian reality from First World War and „bolshevik resolution’s” period, which are familiar to an author from his own experience. The phenomenon of different nationality of the main Heros, and than - the problem of culture dialogue, qualicifying this story to the wide and still popular stream of describing the imagine of a „Stranger” in the literature. This analysis proposes an interpretation of main female character’s plot on the basis of the Emanuel Levinas’ concept of recognizing Other (a part of the philosophy of dialogue, which is characteristic stream for the first half of 20 Century), enriched by the some features of well-known sociological categories like e.g. „familiar Stranger” or „a Stranger at the familiar place”.

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2 Acta Polono-Ruthenica

2 Pietkiewicz N.

1 2009

1 2008

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Franka i Wiryneja. Madame Bovary inspiracją portretów kobiecych w literaturze wybranych epok

Wizerunek Polki w opowieści Oko cyklonu Aleksandra Woronskiego w świetle koncepcji poznania „Innego” autorstwa Emanuela Levinasa