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PL
W dotychczasowych badaniach nad historią religijną ośrodku kultowego w Janowie Lubelskim przyjmowano, że rękopis obecnie znajdujący się w Archiwum Prowincjalnym Ojców Dominikanów w Krakowie stanowi oryginalne Miraculum spisywane od 1670 r. Tezę tę oparto na podobieństwie (choć twierdzono, że identyczności) treści rękopisu krakowskiego i janowskich. Nie uwzględniono w badaniach, czasu wywiezienia rękopisu znajdującego się obecnie w Krakowskie, które nastąpiło około 1840 r. W 1845 r. wykonano kopię z rękopisu znajdującego się ówcześnie w janowskim konwencie dominikanów, a z niej kolejne (zachowane) kopie. Znajdowanie się rękopisu krakowskiego już na początku latach czterdziestych XIX w. poza konwentem janowskim wyklucza możliwość wykonania zeń kopii w 1845 r. Rękopis krakowski nie jest w świetle ustaleń chronologicznych oryginałem janowskiego Miraculum, tylko kopią wykonaną po 1802 r.
EN
In the existing research on the religious history of the cult centre in Janów Lubelski it has been assumed that the manuscript presently kept in the Provincial Archives of the Dominican Fathers in Cracow is the original Miraculum written since 1670. This argument has been based on similarity (or claimed identity) of the contents of the Cracow and Janów manuscripts. The date when the manuscript which is now in Cracow was removed from Janów – around 1840 – has not been taken under consideration. In 1845 a copy of the manuscript in the Dominican Monastery in Janów was made and following (remaining) copies were made from it. The fact that the manuscript was not in Janów already in the 1840s excludes a possibility of copying it in 1845. In the light of chronological research the Cracow manuscript is not the original of the Miraculum from Janów but a copy made after 1802.
EN
Tadeusz Seweryn - the long term director of Cracow Ethnographic Museum has gained his rank in Janów Lubelski, the place, where two months after regaining the independence by Poland, the new museum came into being. The museum warehouse and exhibition room was created in ordinary living room. The exhibits were stuffed in every corner of the room. As long as the founder was staying there, the exhibits were constantly complemented, yet, when he left it, it changed into one without heating and all the things gathered there and the museum itself – previously the pride of the town – became the burden of local government. The museum space became unchanged for the next years, yet , the fact of not connecting it to life space (supervision, responsibility and interest) led to silent consent that common wealth is the individual wealth - the individualists who have access to it.
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