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"Nowa filozofia ufności", czyli Agata Bielik-Robson jako "tropiciel współczesnych patologii"

100%
Skrendo A.
ER(R)GO: Teoria – Literatura – Kultura
|
2001
|
issue 3
EN
  Andrzej Skrendo – “A New Philosophy of Trust”   In his review of Agata Bielik-Robson’s book “Inna Nowoczesność” (“Other Modernity”), the Authors provides a critical evaluation of the book in the context of contemporary cultural debates.
PL
  Andrzej Skrendo – “A New Philosophy of Trust”   In his review of Agata Bielik-Robson’s book “Inna Nowoczesność” (“Other Modernity”), the Authors provides a critical evaluation of the book in the context of contemporary cultural debates.
2
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Jan Błoński – idiosynkrazje

100%
Skrendo A.
Wielogłos
|
2014
|
issue 4(22)
PL
Jan Błoński – idiosyncrasiesJan Błoński, the great Polish literary critic, sometimes loses his insightfulness. He rejects, refuses and denies understanding. This concerns mainly the writers who he does not like or appreciate enough. From time to time he seems to be remarkably one-sided when it regards most important authors for him as well. Skrendo finds the reasons of this particular behavior idiosyncratic. How they collide with his greatness and how they build it – may be found in this article.
3
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Wyprowadzenie z humanistyki (O książce Michała Pawła Markowskiego Polityka wrażliwości. Wprowadzenie do humanistyki)

100%
Skrendo A.
Wielogłos
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2014
|
issue 1(19)
PL
An exit from the humanities The subject of this article is ‘Polityka wrażliwości. Wprowadzenie do humanistyki/The Politics of Sensibility: An Introduction to the Humanities’ (Kraków 2013) by Michał Paweł Markowski. The author of the review looks into the causes of the crisis in humanistic studies and the issue of scientification in literature studies. He oppose to the statement that humanistic studies is not, and should not be, science. He ascertains that in modern university, the fate of literature researchers depends on their ability to re-justify scientific status of humanistic studies.
4
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Różewicz – praktyki dodatków

100%
Skrendo A.
Forum Poetyki
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2016
|
issue 6
12-23
EN
The essay focuses on the operations to which Tadeusz Różewicz submits his (poetic and other) texts. These involve various kinds of transformations, as a result of which Różewicz’s poems become multiple texts and are revealed to be, in a sense, variants with no clear “original.” Skrendo describes the ways in which these transformations take place and considers their consequences.
PL
Tematem szkicu są działania, jakim poddaje swoje teksty – zwłaszcza poetyckie, ale nie tylko – Tadeusz Różewicz. Polegają one na różnorodnych przekształceniach, w wyniku których wiersze Różewicza stają się tekstami wielorakimi, okazują się swego rodzaju wariantami bez oryginału. Autor opisuje sposoby dokonywania owych przekształceń oraz zastanawia się nad ich konsekwencjami.
5
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Anty-Gombrowicz i Różewicz

100%
Skrendo A.
Przestrzenie Teorii
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2014
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issue 21
93-107
EN
This article deals with Tadeusz Różewicz’s opinions of Witold Gombrowicz’s creations. The author compares both writers’ views on literature, especially poetry and theater. He states that Różewicz has created a character who can be called “Anti-Gombrowicz”. The author reveals how Różewicz thought up this peculiar concept and then tried to release himself from it.
6
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Barańczak i Ulro

100%
Skrendo A.
Przestrzenie Teorii
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2016
|
issue 26
109-129
PL
The article comprises sketches by Stanisław Barańczak and Konstanty Jeleński on Czesław Miłosz’s The Land of Ulro. By comparing these three texts, important features of the thought of each author are described. The main figure is, however, Stanisław Barańczak: his thoughts on religion and literature.
7
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Artur Daniel Liskowacki i liryka nowoczesna

100%
Skrendo A.
Autobiografia. Literatura. Kultura. Media
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2021
|
vol. 17
37-45
EN
The subject of the article is the poetry of Artur Daniel Liskowacki. The context of the considerations is the essays of Liskowacki himself and modern aesthetics, especially avant-garde and post-avant-garde. Liskowacki uses the principles of modern aesthetics in his own way and leads them to contradictions.
PL
Tematem artykułu jest twórczość poetycka Artura Daniela Liskowackiego. Kontekstem rozważań jest eseistyka samego Liskowackiego oraz estetyka nowoczesna, zwłaszcza awangardowa i postawangardowa. Liskowacki we własny sposób wykorzystuje zasady estetyki nowoczesnej i doprowadza je do sprzeczności.
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Janusz Sławiński (15 marca 1934 – 1 listopada 2014) – „obecność pozorowana nieobecnością”

88%
Skrendo A.
Pamiętnik Literacki
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2014
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vol. 105
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issue 4
247-249
9
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Kwiat nieznany

75%
Skrendo A.
Wielogłos
|
2009
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vol. 1
|
issue 5-6
PL
Recenzja książki:H. Marciniak, Inwencje i repetycje. Formy doświadczenia poetyckiego w twórczości Juliana Przybosia, Kraków 2009
10
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ROZMOWA „WIELOGŁOSU”

33%
Walas T., Markowski M. P., Próchniak P., Skrendo A., Śliwiński P., Uniłowski K., Kunz T., Rojek P.
Wielogłos
|
2009
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vol. 1
|
issue 5-6
PL
O kondycji i perspektywach polonistyki uniwersyteckiej rozmawiają Teresa Walas, Michał Paweł Markowski, Paweł Próchniak, Andrzej Skrendo, Piotr Śliwiński, Krzysztof Uniłowski, Tomasz Kunz i Przemysław Rojek
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