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EN
The article examines how the war narrative is displayed in modern European museum exhibitions, particularly in light of new museology and cultural memory trends in Germany and Poland. The study recognises that the contested nature of cultural and historical contexts influences the process of representing cultural memory in museum narratives. It combines the theoretical approach of museology with specific museum practices. Using case studies from the Bundeswehr Museum of Military History, Dresden, Germany; the Documentation Centre for Displacement, Expulsion, Reconciliation, Berlin, Germany; and the Museum of the Second World War, Gdansk, Poland, the author examines the impact of challenging issues centred on cultural memory of the war in museum exhibitions over recent decades. The study underlines the significance of innovative approaches to museum exhibitions that display the experience of war and contribute to social dialogue and sustainability.
EN
This paper seeks to lay out certain critical reflections on social transformations, changes in memory politics and its representation in the Ukrainian museum narratives over the years of independence. In particular, it focuses on the challenges involved in constructing various forms of historical memory, it determines the ways of its representation in current museum narrative practices, illustrates memory politics controversy over the historical issues of the Holodomor of 1932 – 1933, World War II and the Holocaust and reveals the place they occupy in historical memory and museum narratives of different regions of Ukraine. Correlations between historical memory, identity and museum narratives of different regions of Ukraine are highlighted.
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