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Anticka dramata Jaroslava Vrchlickeho a jejich dobova recepce

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Čadková D.

Listy filologické (Folia philologica)

2013

vol. 136

issue 1-2

189-219

Jaroslav Vrchlický (1853–1912), an important Czech Parnassian poet and translator wrote also a number of dramas for the newly established National Theatre in Prague (1883). Ten of these plays are based on topics from Ancient Greece and Rome, thus providing valuable information on the attitude of the Czech society in the autumn of the national revival to classical culture and antiquity in general. In the present study, we review the plays (except for the trilogy of Hippodamia which will be addressed in the next study) and their reception in the contemporary press. The conservative theatrical critics mostly highlight the modern approach of Vrchlický to classical themes, and appreciate that characters of his plays are comprehensible to the spectator. In spite of frequent anachronisms and historical inaccuracies, the plays are praised for vividly transmitting the spirit of the remote ancient civilization to the modern audience. On the other hand, the exponents of modern Realism point out that Vrchlický’s dramas suffer from illogical and affected plots and unlikely characters and criticize them for not addressing the real problems of the world. This all indicates that the attitude of the Czech public of the late 19th century to the ancient Greek and Roman culture and its reception was less rigid but also more indifferent than presumed.

Vrchlického Hippodamie a její dobová recepce

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Čadková D.

Listy filologické (Folia philologica)

2013

vol. 136

issue 3-4

415-441

This paper is a continuation of our study “Jaroslav Vrchlický’s Dramas Inspired by Classical Antiquity and Their Contemporary Reception” (“Antické hry Jaroslava Vrchlického a jejich dobová recepce”) in the previous issue of this journal. It deals with Vrchlický’s trilogy of Hippodamia (1890-1891), a stage melodrama with music by Zdeněk Fibich. We discuss its relationship to the Greek tragedy, in particular to the Aeschylus‘s Oresteia (quotations and paraphrases of Greek texts, use of the chorus, themes of guilt and atonement, etc.) and view it in the context of general tendencies of the fin de siècle culture. We also pay attention to the reception of the Hippodamia trilogy in the contemporary press. As in the case of other Vrchlický’s dramas inspired by Classical Antiquity, Hippodamia was appreciated mainly for modernization of the Greek myth and for transmission of the spirit of the remote ancient civilization to the 19th century audience.

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2 Čadková D.

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Anticka dramata Jaroslava Vrchlickeho a jejich dobova recepce

Vrchlického Hippodamie a její dobová recepce