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Redundancja jako kamuflaż (na podstawie medialnych wywiadów z politykami)

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Kula A.

Forum Lingwistyczne

2017

issue 4

41-53

Media interviews with politicians are messages which shape the views of the audience regarding the phenomena in the world and affect the hierarchy of importance in broadcasts. An analysis of interviews with politicians reveals that the communication purposes of the participants are often divergent and the interlocutors themselves consider on another to be opponents. The rejection of the very idea of conversation as a setting for an agreement sets a new goal: victory, an interlocutor’s particular benefit. These communication conditions provide a setting where redundancy works perfectly as camouflage. The broadcaster in the media, who cares about achieving the implicit purpose of communication, may treat redundancy as a mask – consciously hiding behind multiplicity makes the recipient bear the burden of responsibility for misunderstanding the message or treat what is obtained explicitly from the broadcaster as an indicator to look for meanings. In the paper, two main ranges were distinguished: party messages and universal phrases, indirectly defining the basic tasks of redundancy. The former suggest ways politicians reply to the journalists’ questions; the latter serve to provide statements oscillating around the issue – their generality, predictability and non‑ controversiality makes them fit in almost any topic and political option.

MUSEUM OF MODERN ART - A NEW NEIGHBOUR IN THE EL RAVAL DISTRICT IN BARCELONA (Muzeum Sztuki Wspólczesnej - nowy sasiad w dzielnicy El Raval w Barcelonie)

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Kula A.

Muzealnictwo

2004

issue 45

154-161

The establishment of centres specialising in modern art frequently plays an essential role in the revalorisation of municipal cultural space. In accordance with this trend, one of the objects which created part of a campaign of 'invigorating' the poor and devastated El Ravel quarter in Barcelona was Museu d'Art Contemporani de Barcelona (MACBA), opened to the public in 1995. The seat of the museum as well as the square surrounding it were designed by Richard Meier. The modern, glass and translucent building contrasts with the dull and humble district surrounding it. The local authorities attached great hope to the museum, expecting that it would exert a positive impact on the quarter and its residents, animate trade, and provide funds to be used for the development of the whole district. In turn, the prime goal of the MACBA board was to create a significant international centre which would take an active part in the discussion on contemporary art. Moreover, members of the board declared that the very presence of the museum rendered assistance to the quarter. This conflict of interests still remains pressing. The article is based on on-the-spot research conducted in Barcelona in 2000 and an analysis of printed sources.

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1 Forum Lingwistyczne

1 Muzealnictwo

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1 2004

2 Kula A.

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Redundancja jako kamuflaż (na podstawie medialnych wywiadów z politykami)

MUSEUM OF MODERN ART - A NEW NEIGHBOUR IN THE EL RAVAL DISTRICT IN BARCELONA (Muzeum Sztuki Wspólczesnej - nowy sasiad w dzielnicy El Raval w Barcelonie)