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„By móc podać komuś maskę tlenową, sam/a musisz już z niej korzystać”. O konieczności wsparcia osób twórczych, artywistek i artywistów, zajmujących się procesami angażującymi o charakterze performatywnym

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Siwiak A.
Didaskalia. Gazeta Teatralna
|
2022
|
issue 171
6-45
EN
The author of the article, Agata Siwiak, proposes the implementation of a professional support system for artists working with processes of engaging art, with particular emphasis on practices in areas of social crises. As an inspiration, the author presents the forms of support that have been developed on the basis of social work, activism and theatre pedagogy. The article is based on in-depth interviews with practitioners of engaging theatre who represent various theatre environments and professions, and on the knowledge Siwiak gained through her own theatre practices as part of the research-based practice methodology (the author is also a performance arts curator).
2
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They Are the Future. Hope and a Call for Action

100%
Siwiak A., Gałązka R.
Didaskalia. Gazeta Teatralna
|
2021
|
issue English Issue 2021
113-140
EN
The text discusses two theatre performances, h. directed by Daniel Stachuła and To my jesteśmy przyszłością (We Are the Future) directed by Jakub Skrzywanek. Both productions are primarily addressed to teenage audiences and represent engaging theatre. Their main subject is violence suffered by young people due to their psychosexual orientation and gender. The author of the article notes the efficiency (effectiveness) of the two projects, which she associates with the concept of ‘performance of possibilities’. Performative ethnography, but also experimental pedagogy, feminism and studies of homophobic violence provide the research framework for the text.
3
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Nowa edukacja akademicka. Laboratorium na przecięciu teorii, praktyki badawczej i artystycznej

100%
Siwiak A.
Polonistyka. Innowacje
|
2016
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issue 4
17-30
EN
The theme of the text is a new methodology of university education based on research and practice. I present formed eight years ago in the Department of Drama and Theatre Performances of Adam Mickiewicz University in Poznań specialization Interdisciplinary Curator Projects and crowning festival. At the same time I am outlining the broad context for the change in performing arts. Specialization is, on the one hand, a response to the need, expressed more and more by students and determined by the Bologna System, measures linking theory and practice in universities. On the other hand, is a reaction to the changes in performing arts that have created new jobs: theatre curator and producer.
PL
Tematem tekstu jest nowa metodyka nauczania uniwersyteckiego oparta na pracy badawczej i praktyce artystycznej. Przedstawiam w nim powstałą osiem lat temu w Katedrze Dramatu Teatru i Widowisk Uniwersytetu im. Adama Mickiewicza w Poznaniu specjalizację Interdyscyplinarne projekty kuratorskie i wieńczący ją festiwal, jednocześnie nakreślając szeroki kontekst dla przemian w sztukach performatywnych. Specjalizacja jest z jednej strony odpowiedzią na potrzebę, wyrażaną coraz mocniej przez studentów i zdeterminowaną przez system boloński, działań łączących teorię i praktykę na uniwersytetach. Z drugiej strony, jest reakcją na zmiany w sztukach performatywnych, które wykreowały nowe zawody: kuratora i producenta teatralnego.
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