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EN
Anton Makarenko’s novel The Pedagogical Poem had been published in 1934–1935; after 20 years it was finally filmed (The Pedagogical Poem by Alexei Maslukov and Mechislava Mayevskaya, 1955). This article is an analysis of a specific relationship between Makarenko’s text and the cinematic variant of the “Poem”. The nature of transformation of literary text into film text is complex. It requires not only the adaptation of the novel to the linguistic requirements of the movie. The typological distinctions between the language of literary and cinematic Poems concern not only two spheres of the functioning of these works, but also two types of culture in which they were brought to life. The literary Pedagogical Poem was created as an autonomous work against totalitarian discourse, however it still participates in it. The key to its reading (which is specific for totalitarian culture) analyzed in this text results from the main function of narratives of this culture, i.e. the transmission of units of its mythological universe.
EN
The study was written upon the basis of material collected in the course of studies conducted in the Praga district in 2006-2008 as part of the Urban Anthropology: The Myth of Praga. Contemporary Praga. Artists in Praga laboratory group supervised by Dr Zbigniew Benedyktowicz. The presented monograph is a portrait of the Saturator Club - one of those new places in Praga which testify to the changes taking place in the district as well as one of the most interesting venues of its sort in Warsaw. The author - a young anthropologist - focused his attention on the fact that Saturator attracts people representing an above-the-average openness, tolerance and interest in others. The club itself is provocative and controversial, frequently difficult to bear, but many of its clients seem to feel best here. The author tried to view Saturator from assorted perspectives: as a club, a site and an organisation. In doing so he wondered what makes the club exceptional and considered the impact it has on the perception of Praga. The collected material shows a willingness to flee the general current of club culture and clubbing patterns, and the need to feel at home. This observation comprises the prime thesis of the study, whose author, by basing himself on anthropological theories and publications, attempted to place the examined phenomena within a wider context and propose their interpretation.
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