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EN
Attitude towards space in a literary work is one of the two central and very problematic themes in Katarina Frostenson’s creative activity. The author introduces and describes the place in different manners and usually treats it as a living organism that one can engage in dialogue with; one that evokes memories and releases emotions. For Frostenson the place has an identity because it is the mirror of the soul. Only in contact with the place words are born and the real, inner voice of the lyric subject is released.
EN
The paper presents main trends in the contemporary Swedish and Danish postmodern poetry represented by the generation of poets who made their debut in the 1980s. In the author’s opinion the poems are characterised by the diffuse persona of the speaker, rich intertextuality, the blending of literary genres and the focus on poetic language exposed to various experiments and analyses. For a postmodern poet a poem is not a ready-made product but rather a stage in an incessant process, it is both creative and unrestricted.
EN
The paper constitutes an analysis of the poetry of Stig Larsson in the context of the postmodern break-up of traditional definitions of literary genres. The characteristic features of the Swedish poet's work are ambiguity, fragmentation, rich intertextual references, and, most importantly, a radically undefined, diffuse persona of the speaker, no longer able to organize the presented world. Larsson's poetry is rich in lexical, semantic and syntactic experimentation. The poet suggests a change in the relation between the author and the reader.
SV
The paper constitutes an analysis of the poetry of Birgitta Lillpers in the context of the postmodern break-up of traditional definitions of literary genres. The characteristic features of the Swedish poet's work are ambiguity, fragmentation, and a diffuse persona of the speaker. Lillpers' poetry is rich in lexical, semantic and syntactic experimentation.
EN
The word „limit" has become one of the keywords of modern Swedish poetry, in which it is connected with different poetic determinants. An analysis of the poetry of Katarina Frostenson and Stig Larsson leads to the conclusion that in this age of deconstruction, inter-textuality and postmodemism, among other new literary phenomena, poetry as art has lost its traditional limits. The modern Swedish poets aim at achieving absolute freedom of poetic language, now separated from the outside, non-literary world. They try to prove that meaning is no longer explicitely defined. The poetry of Katarina Frostenson and Stig Larsson attempts to abolish the separation between the persona of the speaker and the world, between the subject and the object.
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