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KRISTEVA - LESMIAN - KONOPNICKA (Kristeva - Lesmian - Konopnicka)

100%
Magnone L.
Pamiętnik Literacki
|
2008
|
vol. 99
|
issue 4
7-12
EN
Bolesław Lesmian's theory of rhythm, which he expounded in his famous article 'Rhythm as a word view', interestingly corresponds with the conception of the Semiotic by Julia Kristeva. For both the rhythm is the primeval dimension of language, connected with a creative side of the nature from which the man has irretrievably been separated. Lesmian illustrates his theory with the example of one of Maria Konopnicka's poems from her cycle 'From Meadows and Woods'. Following it, the authoress of the paper analyzes the role of rhythm in the literary activity by Konopnicka, who was often disparaged with easy formulas of 'stylization' or 'sensation of peoples' misery'. As a result it seems that in the poems that use the structure of melic folk poetry privileging natural, physiological rhythms, Konopnicka managed to introduce a woman's body, and to retrieve a forgotten mother language.
2

HEROES OF INTERNAL ETHICS. THE ROLE OF KANT'S ETHICAL THOUGHTS IN THE PERIOD OF POSITIVISM AND YOUNG POLAND (Herosi wewnetrznej kolonizacji. Rola mysli etycznej Kanta w epoce pozytywizmu i Mlodej Polski)

100%
Magnone L.
Przegląd Filozoficzno-Literacki
|
2009
|
vol. 6
|
issue 2(23)
67-81
EN
AJust like Henryk Struve said, the history of positivism is a gradual turn from Comte to Kant. When, at the beginning of 1880s positivism in Warsaw goes through a philosophical crisis, there are attempts to save it by expanding epistemology issues introduced from Neo-Kantianism. The influence of Marburg's school on Polish positivists is well known and widely described. In her article, the authoress is concerned with a different aspect of Kantianism; a project presented by the philosopher in 'Critique of Practical Reason'. It is a piece which had never been translated before 1902 or quoted during the period and which surprisingly corresponds with an important trend in the 19th century's reflection on Ethics.
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