The main focus of this article is the question of the aesthetics of an unaesthetic ruined space. The author also pays particular attention to the ambivalence that exists in contemporary derelict architecture, referred to as ‘modern ruins’, and tries to show that such locations can be viewed as an ‘in‑between’ space.
The main inquiry of the article is the question of cultural status of ruins nowadays, especially modern and postmodern abandoned and decayed places. Referring to the well-known and often discussed concept of vanitas, the author tries to use it in a different way and pays particular attention to the following main topics: 1) ruinophilia – a phenomenon in late modern culture; 2) ruin as a parergon and (un)limited space; 3) abandoned buildings as places of contemplation in secularised culture; 4) questionable issue of a “death of a place”.
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