Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 11

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

L’Histoire berbère d’après J.M.G. Le Clézio et Tahar Ben Jelloun

100%
Zdrada-Cok M.
Romanica Wratislaviensia
|
2014
|
vol. 61
87 - 97
EN
The article offers a comparative analysis of Désert (1980) by J.M.G. Le Clézio and La Prière de l’absent (1981) by Tahar Ben Jelloun. It concentrates on the ways of presenting Ma el Aïnine, the charismatic leader of the anticolonial uprising in the Southern Morocco (1909–1912), and strives to demonstrate that both works recast the story in the contemporary context. By doing so, the two authors can stress the similarities between the period of the colonial domination and the postcolonial era, and to engage in socially engaged writing that addresses issues such as minority cultures, immigration and social exclusion.
2
Publication available in full text mode
Content available

Syngué sabour et Maudit soit Dostoïevski d’Atiq Rahimi : le féminin et le masculin dans le monde intégriste

100%
Zdrada-Cok M.
Romanica Silesiana
|
2013
|
vol. 8
|
issue 1
FR
Syngué sabour and Maudit soit Dostoïevski by Atiq Rahimi : the Feminine and the Masculine in the Fundamentalist World The article aims at the analysis of Syngué sabour and Maudit soit Dostoïevski by Atiq Rahimi. The study is concentrated on the ideological construction of femininity and masculinity in the world dominated by fundamentalism and war (Afghanistan civil war in the 90s). The article researches some intertextual relations (between Rahimi and Dostoïevski) and the narrative strategies which represent the relationship between the individual and the political power. Key words: civil war in Afghanistan, fundamentalism, femininity and masculinity, narrative strategies, intertextual relations.
3
Publication available in full text mode
Content available

L'indicible dans W ou le souvenir d'enfance de Georges Perec

100%
Zdrada-Cok M.
Romanica Silesiana
|
2006
|
vol. 1
4
Publication available in full text mode
Content available

La norme et ses transgressions : polysémie de l’espace urbain (Fès / Tanger) dans le romanesque de Tahar Ben Jelloun (1973-2008)

100%
Zdrada-Cok M.
Romanica Silesiana
|
2010
|
vol. 5
FR
The article analyses the representations of Fez and Tanger in the fiction by Tahar Ben Jelloun. It proves that the contrast between these two cities, presented in his many works, illustrates antagonisms in the Moroccan society after 1956. The autobiographical thread of the way from Fez (the city of Norm) to Tanger (the city of Transgression), which emerges in such works as Harrouda (1973), L’Écrivain public (1983), Jour de silence à Tanger (1990), La Nuit de l’Erreur (1997), Sur ma Mère (2008), includes the issue of the writer’s political engagement and his objection to anachronistic social and moral norms. Tahar Ben Jelloun’s fiction, which is concentrated on the antinomy Fez - Tanger, becomes the area of difficult experience of freedom based on the symbolic breaking off with the father who symbolises restrictive tradition. Key words: The Moroccan society in 1950-1970, socio-political contestation, autobiographical literature, Fez, Tanger.
5
Publication available in full text mode
Content available

La circoncision, le tatouage, les rituels du hammam dans la littérature marocaine d’expression française : Abdelkébir Khatibi et Tahar Ben Jelloun

100%
Zdrada-Cok M.
Romanica Silesiana
|
2014
|
vol. 9
FR
This article compares the functions of rituals in the novels of Abdelkebir Khatibi and Tahar Ben Jelloun (La mémoire tatouée, Harrouda, L’Enfant de sable, La Nuit sacrée). The aim of the study is to show that Abdelkebir Khatibi and Tahar Ben Jelloun represent the traditional rituals of the body as elements of a hybrid language (corpslangue). This “language tattooed on the body” expresses the plurality of the North African culture and the contradictions of Moroccan society. It shows the Moroccan individual torn between the loyalty to tradition and the need for transgression. Key words: Moroccan culture, rituals, tradition, transgression
6
Publication available in full text mode
Content available

Zuzanna Malinovská : « Puissances du romanesque française » Regard extérieur sur quelques romans contemporains d’expression / française » Clermont-Ferrand, Presses Universitaires Blaise-Pascal, 2009, 184 p., ISBN 978-2-84516-449-9

100%
Zdrada-Cok M.
Romanica Silesiana
|
2011
|
vol. 6
7
Publication available in full text mode
Content available

« Je suis ce qui me manque » : quelques réflexions sur le statut ontologique des Yeux baissés de Tahar Ben Jelloun

100%
Zdrada-Cok M.
Romanica Silesiana
|
2009
|
vol. 4
FR
This article is devoted to the novel Les yeux baissés (1991) by Tahar Ben Jelloun and it analyses the literary games that are to question the ontological status of this piece of art. The analysis focuses on the hypertextual strategies (parody, pastiche), intertextual strategies (literary allusion and self-quotation), and narrative strategies (mise en abyme, metalepse), which lead to destabilization of the two genre components of Les yeux baissés, an epic story and a novel. Having appealed to the two literary traditions, the North African and the European one, Tahar Ben Jelloun strives to transgress, or, to go even further, to defy those two traditions. At the same time, he creates the dialogic and open form of the novel. Les yeux baissés, as a spectrum of irony and self-defiance, becomes the place of inter-cultural and intro-cultural dialogue, practicing polyphony, so typical of each culture that it goes beyond its limits. Key words: Eastern epic story, French novel, defiance of realistic aesthetics, parody, inter-cultural dialogue.
8
Publication available in full text mode
Content available

L’hybridité dans L’Écrivain public et L’Enfant de sable de Tahar Ben Jelloun

100%
Zdrada-Cok M.
Romanica Silesiana
|
2011
|
vol. 6
FR
The article aims to analyze L’Écrivain public and L’Enfant de sable by Tahar Ben Jelloun, focusing on the issue of hybrydity which is discussed from the postcolonial and postmodern perspective (Bhabha, De Toro). The analysis concentrates on the oriental tale which deconstructs the paradigm of the novel and the autobiography. However, the article also depicts that Tahar Ben Jelloun derives his ideas from the oral tradition so as to, similarly as Jorge Luis Borges, give his works an intertextual and intercultural dimension. Through the nomadic structure of the tale, which is present both in the novel and in the autobiography, the writer rejects the idea of a conservative and monolithic Moroccan society and opposes stereotypes. Key words: Hybridity, tale, postmodern autobiography, Moroccan novel in French.
9
Publication available in full text mode
Content available

Le roman actuel et ses extrapolations : Les Funambules de Mohammed Aïssaoui et Beyrouth-sur-Seine de Sabyl Ghoussoub

100%
Zdrada-Cok M.
Academic Journal of Modern Philology
|
2023
|
issue 20
345-352
EN
This article proposes a comparative analysis of two novels: Les Funambules (Gallimard 2020) by Mohammed Aïssaoui and Beyrouth-sur-Seine (Stock, 2022) by Sabyl Ghoussoub. The subject of research is the relationship between novelistic techniques and forms of journalistic discourse. By examining the relationship between the literary text and the socio-cultural context, this study is interested in the presence of various forms of discourse in a literary text, such as the interview, the testimony, the report, the document and the photo.
10
Publication available in full text mode
Content available

Buata B. Malela : « Aimé Césaire “fil et la trame” Critique et figuration de la colonialité du pouvoir » Paris, Anibwe, 2009, 220 p. ISBN 978-2-916121-19-2

88%
Zdrada-Cok M.
Romanica Silesiana
|
2010
|
vol. 5
11
Publication available in full text mode
Content available

Petr Kyloušek : «Le roman mythologique de Michel Tournier» Brno, Masarykova Univerzita v Brně, 2004, 158 p., ISBN 80-210-3382-7

75%
Zdrada-Cok M.
Romanica Silesiana
|
2006
|
vol. 1
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.