Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
|
2020
|
vol. 27
|
issue 1
53-74
EN
The recently emerging new types of collaborative work and unconventional workplaces indicate that shifting social and economic practices have odd spatial implications. The diversity of work, mostly based on hybrid social and economic logics, has brought forth a number of new contextualised spatial constructs in recent years: makerspaces, fab labs, open workshops, and co-working spaces now require detailed analytical reconstruction and conceptualisation. This article is a theoretical discussion of the nature of fluid and contingent spatialisation against the backdrop of binary explanatory categories (e.g. local-global; proximity-distance). Drawing upon modernised concepts of horizontal scaling, we propose a perspective on hybrid work which focuses on contingent multiple, multidirectional and temporal scalings created by a variety of users while developing their own micro-worlds of work.
EN
This paper aims to explore the concept of Creative City from the points of view of three medium-sized cities in Central and Western Europe: Birmingham (UK), Leipzig (Germany) and Poznań (Poland). The concept of Creative City has risen in popularity in the last 15 years but its meanings and its policy application display important variations. In an attempt to clarify conceptual issues and policy approaches around the term of Creative City, Scott (2006) states that policy makers should focus on specific key variables when attempting to build viable Creative Cities: the presence of inter-firm networks of producers combined with a flexible local labour market. Infrastructural facilities and social capital are also crucial in this process. Even though these variables may be mostly found in largescale metropolitan areas such as New York, Los Angeles etc., Scott (2006, p. 9) argues that “there are also many small and specialised creative agglomerations all over the world” due to the process of increased differentiation. In addition, Hall (2004) argues that building a truly Creative City is possible but is a long-term process, and historical favourable preconditions are important.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.