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1

ODBORNÁ REFLEXIA PROBLEMATIKY TEXTOLOGICKEJ A EDIČNEJ PRÍPRAVY KNÍH (K ZAČIATKOM TEORETICKEJ TEXTOLÓGIE NA SLOVENSKU)

100%
Rácová V.
Slovenská literatúra (Slovak Literature)
|
2020
|
vol. 67
|
issue 1
1 — 10
EN
The paper deals with literary and historical mapping of the beginnings of professional reflection of textological and editorial stages of the pre-production in book publishing in Slovakia. It focuses on the attempts at a theoretical grasp of the subject within a given period of time, i.e. from the 1950s to the early 1960s, which can be regarded as a period of time when this scientific branch was being formed in the Slovak environment. It reflects on three fundamental articles, which were published on this subject by Jozef Felix, Karol Rosenbaum and Mikuláš Bakoš and it shows how the authors mentioned above attempted at an early systematization of the knowledge of the branch although their conclusions were first and foremost based on the practical needs of the editorial pre-production for publishing houses. Therefore, the paper also pays attention to the reasons behind it coming to the conclusion that the beginnings of a more systematic thought given to the editorial pre-production stage in book publishing date back to the creation of an important publishing edition, which was the book series Hviezdoslav Library.
2

SPRACOVANIE EDIČNÝCH KOMENTÁROV A VYSVETLIVIEK VO VYBRANÝCH ZVÄZKOCH EDÍCIE KNIŽNICA SLOVENSKEJ LITERATÚRY

100%
Rácová V.
Slovenská literatúra (Slovak Literature)
|
2018
|
vol. 65
|
issue 4
302 – 313
EN
The main aim of article is to evaluate the textological and editorial approach and preparation of selected volumes of the Library of Slovak Literature edition, accomplished by the Kalligram publishing house and the Institute of Slovak Literature of the Slovak Academy of Sciences. The main attention will be focused on explanatory notes and comments that provably describe and mirror an approach of editors, name problematic places in editorial preparation of new editions and explain solutions that editor had made. The author will focus on the very essence and nature of comments, reasoning and argumentation, potential readers´ benefits or threats of selected editorial approaches and solutions.
3

ZVIERATÁ NEURČITÉ, ZVIERATÁ NEMÉ (PRÍRODNÉ MOTÍVY V TVORBE IVANA ŠTRPKU)

63%
Rácová V., Hostová I.
Slovenská literatúra (Slovak Literature)
|
2023
|
vol. 70
|
issue 2
174 - 195
EN
Drawing on ecocritical approaches, the article tackles natural motifs (especially animals) and pantheistic elements in Štrpka’s poetry (b. 1944). Methodologically, the authors draw on ecocritical approaches. With regards to Štrpka’s early collections, they look at the way the poet employed the figure of the parrot in his critique of rhetorical emptiness of the socialist society. In the poetry published in the 1980s, on the other hand, it pertains that Štrpka used natural and animal motifs to portray erotic relationships and urban atmosphere. From his later poetry, the article focuses on the poems that demonstrate the poet’s pantheistic worldview and shows that Štrpka’s writing also offers fruitful ground for ecocritical reading. The last section of the paper looks at the collections that Štrpka published after 1997. Nature is most often tied with civilizational contexts and dark, enigmatic, and sombre tones anticipating a catastrophic vision of the world prevail in these late poems. The article is thus both a contribution to the understanding of the development of the poet’s oeuvre and to the ways in which Slovak literature represents and constructs the animal and nature.
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