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1
100%
ESPES
|
2013
|
vol. 2
|
issue 2
61 – 67
EN
The authoress deals with the Festival of the present music in the proposed essay. She also brings the information about his origin and tries to write down the summary of historical events. In thees say there are mentioned concrete grouping which presented on the Festival works of well-known composers or their own outputs. Besides her own exploration she also uses the professional literature grounded on some works e.g. from A. Rossa and journals about music. She confronts experiences of her own reflexion with opinions of pedagogues and theorists. In conclusion she brings her own impressions from performance on which she was present.
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