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EN
The article describes observations concerning a reception of H. Ch. Andersen s fairy-tales by contemporary children. An authoress asserts that realistic and sometimes cruel plots created in 19#1 century, deprived of therapeutical value (according to the B. Bettelheim s conception), seem to be unsuitable for children at early age. The thesis is supported by an unofficial survey carried out at two nursery schools among children aged 4-6 , who were talking to the authoress about their fillings just after reading #The fairy-tales . The analysis of Andersen s tales (based on a model of literary work created by R. Ingarden) shows how difficult it is for small children to follow to these stories on every three levels of composition. The article raises questions such as a language misunderstandings, a complicated metaphors and archaic elements o f the world presented an excessively negative emotions connected with the texts.
EN
The article is an attempt to reinterpret melancholy, which is variously expressed in Polish Modernist poetry. The author does not treat it as a mask, which was often worn by the writers of that period presenting them as martyrs, but as a symptom of depressive disturbances from which some of the authors could have sufTered. The author tries to show alleged reasons of depression in biographies of various authors. She also emphasizes the influence of characteristic tendencies of the era on the psychical condition of the authors and its expression in poetry. The work is full of literary examples describing psychological states. It describes typical themes, stylistic means and also shows the ways of depicting psychological states, which are analogous to the symptoms of depression described by Antoni Kępiński.
EN
The article presents the profile of Zdzisław Dębicki, one of the less known Polish writers of Modernism and the early interwar period. The author outlines the state of research on the writer’s diverse literary output and, on the basis of few available sources, attempts to reconstruct Dębicki’s biography that is closely related to the contemporary history of his homeland. Summarizing and quoting the artist’s most important works, the author of this article characterizes the poet, diarist and literary critic as a representative of artistic circles of the late 19th-century Lviv and the early 20th-century Warsaw. The aim of this article is to introduce Dębicki’s writing as worth noticing and popularizing; writing that does not deserve its simplified reputation of being epigonic or worthless.
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