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  1. 2 Kwartalnik Filmowy

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  1. 1 2010

  2. 1 2009

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  1. 2 Syska R.

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1

TO EXPERIENCE THE INLAND OF CINEMA. A NARRATIVE ANALYSIS OF DAVID LYNCH'S INLAND EMPIRE (Doswiadczyc wnetrza kina. Analiza narracyjna Inland Empire Davida Lyncha)

100%
Syska R.
Kwartalnik Filmowy
|
2010
|
issue 71-72
256-280
EN
In the introduction Syska notes that in the reception of David Lynch's work the first thing viewers note is the deconstruction of film form, and especially the decomposition of Hollywood tradition of genre and narration. Lynch is able to hover between postmodern modality and the ambitions of a neo-modern artist, who is leaving the inter-textual puns behind, and wishes to reflect upon death and alternative forms of being. Syska argues that in order to analyse Lynch's film one should combine elements of cognitivism and deconstructionism. And it is in this spirit that he carries out a detailed analysis of the Inland Empire.
2

MODERNISM IN FILM (Filmowy modernizm)

100%
Syska R.
Kwartalnik Filmowy
|
2009
|
issue 67-68
142-168
EN
The article presents modernism in film, where modernism is defined as a trend in art cinema in 1950-1970s, where self-reflection, formal aspect of the work, subjectivism, distancing and deconstruction of classic models of drama and narrative are the defining characteristics of the style. The article summarizes the most important definitions of modernism in arts, highlighting the theoretical aspects that were later developed in film studies. The author also defines the temporal frames of the style, and identifies the key films that adopted this style. Chronology and aspects of worldviews and the aesthetics also needed to be systematized in order to deepen the understanding of this aesthetic trend in film. The author concludes by arguing that neo-modernism is the contemporary form of the modernist cinema of the past decades.
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