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  1. 4 Filozofia (Philosophy)

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  1. 4 Sucharek P.

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1

UMELEC – PONTIFEX OPPOSITORUM

100%
Sucharek P.
Filozofia (Philosophy)
|
2013
|
vol. 68
|
issue 9
729 – 740
EN
The paper offers an interpretation of the canon background of one of the classical Chinese ink paintings. Besides some technical details, it exposes a number of important philosophical connections significant for the elucidation of the ontological status of artistic subjectivity as such. On the example of a reproduction of one of Chinese paintings (Fan Kchuan) from “the Golden era” as well as by some insights into contemporary phenomenological aesthetics (namely into the work of the French philosopher H. Maldiney), it shows the significance of the two fundamental aspects of artistic creation: Vacuity and Breath.
2

TOTÁLNY OBRAZ. CHVÁLA MYSLENIA

100%
Sucharek P.
Filozofia (Philosophy)
|
2016
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vol. 71
|
issue 6
487 – 493
EN
The essay is an attempt to think about the problem of thinking and its status. We want to find out whether thinking – not a thinker! – can or cannot be proud of itself. What is thinking doing when it is thinking (about an idea)? What is thinking and where is the idea? We primarily focus on by what thinking is transformed and formed. The term “event” has been chosen for this task. Who has, however, seen the event? Is there any possibility to imagine experience or make the event present in any particular way? Can thinking, in a certain moment, adhere to an idea in such a way that it becomes the idea and that it occurs? And what happens with the idea when such an event occurs?
3

ĽUDSKÉ AKO OTVORENÁ A RYTMICKÁ JEDNOTA. HENRI MALDINEY

100%
Sucharek P.
Filozofia (Philosophy)
|
2014
|
vol. 69
|
issue 7
558 – 568
EN
In his work, recently departed French philosopher Henri Maldiney, examines the forms of the human experiencing on formal level of openness to the world. According to him the fundamental modes of human experiencing in real sense are aesthesis and kinesis, what means certain formal emptiness, and at the same time a transformation. The transformation as a modification and pass-over is the essence of shaping the form. This contribution is concentrated on some of the constitutive elements of the human on pathic level. For as much as perception is not just a pure receptivity, absorbing information through our five senses, it is a manifestation of the self with regard to something what is not in the world yet, and simultaneously an incursion of the world, whose movement points to the other part of human self. The basic moment of becoming the self is an ecstatic openness of Emptiness, which is for Maldiney a measure of distance and spacing. Existence is thus just an open development of a closeness-distance of being.
4

SEBAUVEDOMENIE A OTVORENOSŤ. K REKONŠTRUKCII FENOMENO-LOGICKÉHO PRÍSTUPU V PSYCHOTERAPII

100%
Sucharek P.
Filozofia (Philosophy)
|
2014
|
vol. 69
|
issue 10
847 – 858
EN
A phenomenological approach is not only a matter of academic philosophy; it is also effectively applied in the field of psychotherapeutic practice. Technology of self-awareness – in the sense of self-experiencing of our existence in the world – developed on the phenomenological grounds aims primarily at the integration of behaviour observed and experiencing deeper levels of personal condition with an ambition to get as close as possible to the situation experienced. The connection of Gestalt therapy and its specific theoretical model of “field” with modern phenomenological concept of “event” can be seen as a paradigmatic example of the application of such a method. The existential analysis of French philosopher Henri Maldiney is the back-ground of the description of contemporary art-therapeutic approaches with an emphasis on the key categories of the whole process, i.e. self-awareness and openness.
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