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PL
The article is devoted to the problems of the linguistic and cultural analysis of Ukrainian folk tales. It has been proved that folk tales transmit elements of social knowledge, verbalize the codes of a national world view and become exclusive material for the philological study of various forms of ethnic and cultural experience. The systematization of theoretical notions that ground the necessity of cognitive and interpretative comprehension of a folklore text, as an initial legal knowledge transmitter, has been provided for the fi rst time. The worked out theoretical foundations of linguistic culturological analysis of verbalized semantic complexes unite legal subjectivity, legal consciousness and legal capacity in the folk epic. It has been stated that the legal subjectivity of lingual signs serves as a basis for the cultural legal informativity of a folklore construct, because it is precisely on the basis of a comprehended personality that we observe the rise of ideas of legal consciousness and capacity, which, in turn, correlate with philosophic legal categories (order, breaking of order, restoration of order). The remit of the investigation stretches as far as the possibility of penetrating into Ukrainian folklore’s legal linguistic conceptual fi eld, reviewing the traditional schemes that describe folk poetic vocabulary, identifying the parameters of the lingual fi xation of elements with legal knowledge in different Ukrainian folklore genres.
PL
The article is devoted to problems regarding the linguistic and cultural analysis of folklore. It has been proved that linguistic signs, related to the routine knowledge of order, the forms of its disruption and ways of restoring it, decipher ethnically determined parameters of certain categories, including legal subjectivity, legal consciousness and legal capacity that have been coded in folk poetic texts. The research focuses on the problems of linguistic culturological description of legal information in Ukrainian folk epic texts. The systematisation of theoretical notions that ground the necessity of cognitive and interpretative comprehension of a folk text, as an initial legal knowledge transmitter, has been carried out for the fi rst time. The choice of the linguistic culturological method for the analysis of the legal segment of oral folk creativity can be explained by the fact that culture, during its formation, is actualised in the form of folk discourses, represented by folktales, epic lyrical songs, ballads and other texts that refl ect the intellect of the many generations who created and used them. Folk texts transmit elements of social knowledge, verbalise the codes of a nation’s world view and become exclusive material for the philological study of various forms of ethnic and cultural experience. The perspectives of the investigation are based on the possibility to penetrate the legal sphere of sacral knowledge, coded in different Ukrainian folk genres, by means of a broad spectrum of language means.
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