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1

VIII Międzynarodowa Interdyscyplinarna Sesja Studentów Archeologii: „Dźwięki kultury. Muzyka jako komunikat w przeszłości” (Puszczykowo, 18-20 grudnia 2006 r.)

100%

Frąckowiak M.

Folia Praehistorica Posnaniensia

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2011

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vol. 16

461-464

2

Duchy miejsca – napisy (graffiti) w przestrzeniach publicznych i prywatnych jako przedmiot badań archeologii współczesnej przeszłości

63%

Kajda K., Frąckowiak M.

Acta Universitatis Lodziensis. Folia Archaeologica

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2017

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issue 32

345-363

EN

Writing, signing and carving names in public spaces are popular ways of indicating somebody’s presence in the world. Various inscriptions made in different places have been appearing from the ancient times until today. There are multiple motivations for such practice: a simple signing to indicate somebody’s presence, a declaration of sympathy or antipathy to some idea or person or political manifests and encouragement to engage in some actions. Despite the popularity of such phenomenon and its long duration, archaeologists, especially those involved in studying the recent or contemporary past, are not particularly focused on researching this source of knowledge. Most of the academic works which concern inscriptions and graffiti are conducted by sociologists or visual culture specialists. However, these sources may be truly significant in studying microhistories of the places and people. Thus, in our article we want to present a unique potential of graffiti in the studies related to the recent and contemporary past. The aim of our article is to show various spatial contexts in which graffiti may be encountered and to present how the archaeology of the contemporary past may take advantage of researching such inscriptions. After Laurent Olivier (2001), we think that discovering the local past is a characteristic feature of the archaeology of the contemporary past and our article aims to show how the specific “being” of graffiti around us may contribute to discovering the microhistories of people and places. According to Michael Bell’s concept (1997), we interpret graffiti as “the ghosts of place” which indicate the presence of those who are no longer in the place. Due to the breadth of topics connected with graffiti, we decided to focus on those inscriptions which manifest someone’s presence in the place, narrowing our studies only to its written form (not graphic).

PL

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3

Archeologies of the recent past and the Soviet remains of the cold war in Poland: a case study of Brzeźnica-Kolonia, Kłomino and Borne Sulinowo

51%

Kobiałka D., Kajda K., Frąckowiak M.

Sprawozdania Archeologiczne

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2015

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vol. 67

9–22

EN

In this paper we analyze three places extensively used by the Soviets in Poland during the Cold War: Brzeźnica-Kolonia, Kłomino and Borne Sulinowo. We treat these places and artefacts found there as heritage. However, instead of calling for their urgent preservation, we try to argue that heritage does not need to be perceived as a dead past. Material culture and material transformations in landscapes of the recent past last and survive their own times. The goal of this paper is to pay archaeological attention to the duration of the things and landscapes from the recent past in the present.

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1 Acta Universitatis Lodziensis. Folia Archaeologica

1 Folia Praehistorica Posnaniensia

1 Sprawozdania Archeologiczne

1 2017

1 2015

1 2011

3 Frąckowiak M.

2 Kajda K.

1 Kobiałka D.

VIII Międzynarodowa Interdyscyplinarna Sesja Studentów Archeologii: „Dźwięki kultury. Muzyka jako komunikat w przeszłości” (Puszczykowo, 18-20 grudnia 2006 r.)

Duchy miejsca – napisy (graffiti) w przestrzeniach publicznych i prywatnych jako przedmiot badań archeologii współczesnej przeszłości

Archeologies of the recent past and the Soviet remains of the cold war in Poland: a case study of Brzeźnica-Kolonia, Kłomino and Borne Sulinowo