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Dyskurs etyczny w kontekście mediów – „ukrywać, pokazując”, sepizacja, parafrazowanie i zamknięty obieg informacji

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Kawka M.

Studia Socialia Cracoviensia

2017

vol. 9

issue 2

In axiological discussions, attention is paid to the integral and internal relationship of the natural language with values and their ubiquity as permanent components of all speech. Attempts to build a language free of all values ended in failure. However, not everything in the language is axiologically characterized in the same way, and their discovery and proper reading depends on the communication skills of the participants of the discourse and requires the use of appropriate interpretation procedures. In the media, there are texts defining order and chaos, ally and enemy, good and evil, importance and nullity of the discussed problems, which organizes the entire ethical discourse within a given culture, not only media, but above all real. This reality and we together with it and our values are then transformed into a reality and we start to live not in the circle of real values, but in the circle of values created in the virtual space of the Internet by the texts circulating in it.

Napisy na murach jako gatunek miejskiej polszczyzny pisanej

100%

Kawka M.

Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica

2010

issue 5

Wall inscriptions, i.e. “inscriptions, symbols, slogans, or pictures painted on building walls, brick walls, board fences, and in public places”, as part of the written language of an urban youth subculture, are seldom the subject of linguistic research and belong to the genre of the street artistic work referred to as graffiti. The phenomenon of graffiti can be regarded not only as a type of art (some murals can be found in New York galleries) but also as a sort of mass social communication, especially at the level of words, i.e. the strictly linguistic one. The urban space – walls, boards, public service vehicles (the underground, trains) – become a specific medium and a special means of subcultural social communication in that way. Wall inscriptions visually organise the urban space of interpersonal communication. Vital features of that genre are humour and hybridity in respect of form – the message may be a solely verbal one, a word may be accompanied by an image, but the message may also be a drawing only (graphic form). All those features enable establishing graffiti as a separate text genre of the urban written Polish language, whose feature, distinguishing it from other types of expression, is its unique illocutionary power. Through that act of illocution, authors of inscriptions want, at all cost, to achieve something in various spheres of reality, and in particular to draw other people’s attention to what those other people allegedly do not notice themselves.

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1 Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica

1 Studia Socialia Cracoviensia

2 Kawka M.

1 2017

1 2010

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Dyskurs etyczny w kontekście mediów – „ukrywać, pokazując”, sepizacja, parafrazowanie i zamknięty obieg informacji

Napisy na murach jako gatunek miejskiej polszczyzny pisanej