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Second-Person Narratives in Non-Fiction

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Jeziorska-Haładyj J.

Prace Filologiczne. Literaturoznawstwo

2018

issue 8(11) cz.1

43-54

The aim of the article is to analyse the particularity of second-person narratives in non-fiction. Their special status results from the fact that telling another person his or her own story is a convention in fiction but occurs rarely in everyday communication. In non-fiction narratives, the problem of different perspectives (of the narrator and the addressee) is particularly valid, i.e. often the point of view of the narrative “you” is only a disguised point of view of the “I.” The analysis of A Man by Oriana Fallaci shows the shift from the melting of perspectives to an evident distance. In Hanna Krall’s Hamlet, the “I” presents the “you” with an ultimate interpretation of his life.

Literacenie? O granicach reportażu na łamach „Rocznika Literackiego” (1932-1984)

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Jeziorska-Haładyj J.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

2016

issue 5 "Reportaż literacki. Pogranicza"

13-24

The article presents the outcome of an analysis of archival volumes of the periodical „Rocznik Literacki” (1932-1984), publishing annually general overviews of Polish literature. The text aims at tracing back the perception of the reportage and the prevailing convinctions on its definition and borders. Essays written by prominent Polish critics and scholars show the evolution of the genre and its theory. A recurring issue is the problem of literary techniques possible (or, in some opinions, forbidden) in the reportage.

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1 Jednak Książki. Gdańskie Czasopismo Humanistyczne

1 Prace Filologiczne. Literaturoznawstwo

2 Jeziorska-Haładyj J.

1 2018

1 2016

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Second-Person Narratives in Non-Fiction

Literacenie? O granicach reportażu na łamach „Rocznika Literackiego” (1932-1984)