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  1. 2 Przegląd Orientalistyczny

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  1. 2 Kurowska J.

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  1. 1 2016

  2. 1 2009

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Motywy erotyczne i tanatyczne w powieści „Kostnica” Dźagdamby Prasada Dikszita

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Kurowska J.
Przegląd Orientalistyczny
|
2016
|
issue 3-4
313-325
EN
One example of a literary work engaging with the problem of social seclusion is the Hindi novel Murdāghar written in 1974 by J.P. Dikshit. It describes the lives of prostitutes and pimps living in the slums of Bombay, trying to secure a minimum income, raise kids, find love and escape from the corrupted police forces and justice system. The existence of the poor is a constant struggle with hunger, disease and death. Newborn children are destined to die prematurely. Prostitutes do not enjoy healthcare or contraception while their partners engage in dangerous acts, such as smuggling and theft. After their death, the bodies of the poor become anonymous, amorphous corpses and a liability for the family which cannot afford its release from the morgue or a proper burial. They are lost in the mass of other unprivileged, desacralized bodies and will never find peace. Their death – untimely, violent and macabre – is a consequence of the life they led.
2

BADI-UZ-ZAMAN'S 'DEATH OF A RAT'. FIRST FANTASY NOVEL IN THE HINDI LANGUAGE ('Smierc pewnego szczura' Badi-uz-zamana. Pierwsza powiesc fantastyczna w jezyku hindi)

100%
Kurowska J.
Przegląd Orientalistyczny
|
2009
|
issue 1-2 (228-229)
EN
The aim of this article is to present Badi-uz-zaman's novel 'The Death of a Rat' which is usually referred to as the first fantasy novel in the Hindi language. The analysis revolves around the innovative elements of style and topic introduced by Badi-uz-zaman in his work. The introductory part of the article sheds light on basic facts regarding the work of Badi-uz-zaman, the language used by him and the portrayal of characters. This section is followed by a brief summary of the content of the book. The essential part of the analysis is focused on the peculiar fantasy features of the book, such as fantastic events, depiction of characters, mysterious places and items, metamorphosis of the protagonist and the motif of a rat. The article concludes with some remarks of a few noted critics of Hindi literature concerning the analysis and interpretation of this novel.
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