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Hranice viditelného a neviditelného - k reflexi metafyzična v literatuře

100%
Komárek K.
Studia Slavica
|
2013
|
vol. 17
|
issue 2
123-128
EN
Metaphysical phenomena and religious experiences have been a subject of literature long since. In this text we point to certain types of literary treatement of the supernatural nowadays, keeping in mind that present times are sceptical towards it. The examples are taken from Czech spiritually orientated authors of the 1st half of the 20th century: J.Š. Baar, J. Èep, J. Durych. We observe how three motives – mysterious communion of the dead and alive, mystical ecstasy during a prayer and postmortal existence of the human soul – are reflected in their texts, while this reflection is based on their spiritual experience.
2
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O językowych opracowaniach czeskich pieśni religijnych

63%
Komárek K., Kubečková M.
Bohemistyka
|
2022
|
issue 2
293-300
EN
The text of songs sung during the holy mass is sometimes modified due to theological, aesthetical and language reasons. The songs used in Czech Catholic circles were after the Second Vatican Council (1962–1965) modified in the contents (shift of theological emphasis from negative motifs to the joyful Christian message), poetics (abandoning of Romantic poetical means based on sensitivity), prosody (change from the syllabic scheme to the syllabotonic one) and language (substitution of archaic and not understandable expressions).
PL
Tekst pieśni śpiewanych podczas mszy świętej w Czechach jest niekiedy modyfikowany ze względów teologicznych, estetycznych i językowych. Po Soborze Watykańskim II (1962–1965) pieśni używane w czeskich środowiskach katolickich zostały zmodyfikowane w zakresie treści (przesunięcie akcentu teologicznego z motywów negatywnych na radosne przesłanie chrześcijaństwa), poetyki (rezygnacja z romantycznych środków poetyckich opartych na uczuciach), prozodii (zmiana schematu sylabicznego na sylabotoniczny) oraz języka (zastąpienie wyrażeń archaicznych i niezrozumiałych).
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