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Filozofia (Philosophy)
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2016
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vol. 71
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issue 7
595 – 607
EN
Andre Stanguennec sees something new arising in art: after modernity and postmodernity we witness a period called by him a post-post. The latter is a negation of the previous two, included at the same time into a new synthesis, in which they are not opposites any more. The article offers a reconstruction of several aspects of this synthesis. The new form of art is identified first of all in documentary video-art or in the micro-poietics of everyday life. The video-art is attractive due to its engagement and the critique of social defects, especially on legal and political levels. The small, non-grandiose poietics is related to more personal morals. It represents the ethical metaphysical aspect of the new art.
Filozofia (Philosophy)
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2014
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vol. 69
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issue 7
613 – 622
EN
In the contribution two Plotinus´ treatises are scrutinized in order to unveil the possible self-givens of soul on one side and intellect on the other. Plotinus´ concept of soul borders on the definition of a human being (whose constitution depends on the soul descending into him), while the intellect is divine, non-human. In Plotinus self-givens means self-knowledge, self-reflection or self-awareness. The question is, whether self-knowledge as the highest knowledge is related to the soul, or to the intellect alone. Even though the author outlines what could be regarded as the self-knowledge of soul, he questions the independent existence of this self of soul. Soul is not self-given in knowledge, it is rather self-given by intellect. This, strangely enough, corresponds with M. Henry’s conception of the relationship between the Self (i.e. soul in Plotinus) and Life (i.e. Intellect in Plotinus).
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