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Over the past thirty years there has been a substantial change in how home is understood in the social sciences. While it is still possible to discern the influence of phenomenology on contemporary thinking about home, the studies presently at the forefront of the geography, anthropology, and sociology of home largely reflect the impact of critical social theory and the cultural and spatial turn in the social sciences, and they have also made the lines between these disciplines blurrier. This article primarily aims to provide readers with an overview of the developments in the field and to explore contemporary approaches to home as a complex and multifaceted phenomenon. It also seeks to unravel the developments and topical shifts in (largely English-language) studies of home and to present the current Czech approach to the issue, which are both influenced by the contemporary focus on home as the site of the continuous production, consumption, and negotiation of meanings and identities, and by an emphasis on the everyday experience of home.
EN
Ostrava, in the past nicknamed the steel city of the republic or the city of coal and steel, represented during the socialist period and afterwards the main industrial city of the republic. The social official visual images of the city and life in it represented a happy urban life with glimpses of shining future. Ostrava was visualized as an embodiment of progress made possible and conditioned by the indrustralization and related changes of the urban landscape and everyday life.
EN
Ostrava, which used to be nicknamed the “steel heart of the republic”, was an important industrial centre during and after socialism. The city’s official visual presentation of itself during socialism was that of a happy life in an urban environment where it is already possible to catch glimpses of a glorious future facilitated by industrialization and its related transformations to the city’s everyday life and landscape. In this paper, I present a visual analysis of the official discourse about Ostrava and everyday life there. I then confront the constituent elements of this visually produced urban landscape with distinctly more ambivalent testimonies by artistic photographers from the same period. The aim is to comprehend the basic compositional elements that furnished the multilayered image of an industrial city and people’s roles there and use the two contrasting imageries of Ostrava’s urban landscape to inquire into the relationship between urban landscape and visual discourse.
EN
The conceptual debate on recently quite a fashionable topic of landscape is, at least within Czech academia, deeply influenced by the concepts and imagery of natural sciences. In this article, we advocate an alternative concept of landscape, that developed by anthropology of landscape. We understand landscape to be a widely conceived "way of seeing", way of grasping, experiencing and understanding the world, rather than simply a piece of reality out there. In the first part of the paper we present, how anthropology of landscape theorize its subject. In the second we offer two applied examples – analyses of prehistoric and (post)industrial landscape. The main aim of the article is to balance otherwise natural science driven debate about landscape and to return to the concept of landscape what it lacks – human experience.
EN
The article uses photovoice to explore the everyday geography of homelessness and its affective dimension. We focus on two aspects of the everyday geography captured by photovoice: (1) movement in space and (2) the performativity of heterotopic places. The aim is to understand how the research partners as actors (re)present and (re)construct their everyday geography by visual means and how they relate to it affectively (or otherwise). Photovoice is a suitable method for this type of research as it has been used across the social sciences and especially in action research as a productive tool that allows people to document and reflect on their everyday life, their strengths, and their concerns, and to communicate all this effectively to the wider public. In this article, we critically discuss photovoice and argue that besides its action potential, it can also be used to generate rich visual research data. We present data collected from photovoice research on homeless people in Prague and Pilsen, two cities in the Czech Republic, and conduct formal analytical and hermeneutic analyses of the data. The photographs we obtained reveal the movement of our research partners – the homeless – in space and their relationship to different places and the people in them. In general, people were the most frequently photographed theme. The research revealed that social relations are the most important aspect in the creation and production of places in cities. Several factors, most importantly age, influence the extent to which social relations play this role.
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