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BOUNDARIES AND DEFINITIONS: THE COMPOSITIONAL REALITIES OF POLISH SONORISM

100%
Thomas A.
Muzyka
|
2008
|
vol. 53
|
issue 1(208)
7-15
EN
The article focuses on the concept of sonorism and related terms as musicological and critical tools used in in the description of Polish music after 1956. The author demonstrates that this termonology has constituted a valuable component in musicological thinking in Poland, and he considers various advantages as well as stylistic and chronological limitations of sonoristic concepts for music composed beyond the 1960s
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