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1

Film jako narzędzie glottodydaktyka

100%
Tambor A.
Kwartalnik Polonicum
|
2018
|
issue 28/29
52-55
EN
The article stresses the role of audiovisual materials during Polish language classes. The need for special activity cycles related to Polish culture, history, and traditions depicted in film are emphasized. A critical importance is given to the choice of film in which Polish culture is showcased, as well as a detailed overview of the context which will allow the students the ability to draw substantiated interpretations.
2
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Film jako narzędzie pomocnicze w procesie adaptacji migrantów – imigrantów i uchodźców

100%
Tambor A.
Postscriptum Polonistyczne
|
2019
|
issue 2 (24)
259-272
EN
Film is one of the media which, due to their accessibility and popularity, can be easily used in today’s world as a tool supporting integration and the process of integration into a foreign culture, which is often very distant (geographically and mentally). The paper is based on the assumption that a foreign culture cannot be learned, but that one can get to know it and to learn as much as pos-sible “about it”. The aim of the text is to indicate which criteria should be tak-en into account when selecting films intended for immigrants and refugees, and how these films may support the process of adaptation to the Polish cul-ture.
3
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Filmowa półka sezonu 2010/2011

100%
Tambor A.
Postscriptum Polonistyczne
|
2011
|
issue 2(8)
271-282
EN
The article presents another summary of film events in a year 2010. Films that can be found here are: Benek, directed by Robert Gliński, and concerning Silesian subject, Chrzest (The Christening) second film by young Polish director Marcin Wrona, Czarny czwartek (Black Thursday) which tells the story of the strikes in 1970, and Joanna by Feliks Falk that offers a new perspective on the Second World War. Besides these, some other descriptions of the films that were released in 2010 or in the beginning of 2011 can be found here: Matka Teresa od kotów (Mother Teresa of Cats), Młyn i krzyż (Mill and the Cross), Och, Karol 2, Różyczka (Little Rose), Sala samobójców (Suicide Room), Skrzydlate świnie (Winged Pigs) and Weekend. The author comments the most famous films of the season viewing them through the eyes of a for-eigner who may be interested in watching them.
4
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Mikrowywiady: Kazimierz Kutz: Związek człowieka z językiem jest tak organiczny, że nie wolno tego rozcinać. I dlatego moje filmy są w gwarze. Krzysztof Zanussi: To się nazywa Obce ciało – w obronie kobiet przed feministkami. Maciej Pieprzyca: Po prostu przyjechali na Śląsk, bo odnaleźli fotogeniczną scenerię, zwłaszcza jak chce się opowiadać o biedzie i braku perspektyw. Magdalena Piekorz: Należy podejmować decyzje ryzykowne, bo tylko to daje możliwość wyjścia ponad przeciętność. Bartek Konopka: Zwierzęta dają kosmiczną perspektywę dla opisu kondycji człowieka.

100%
Kutz K., Zanussi K., Pieprzyca M., Piekorz M., Konopka B., Tambor J., Tambor A.
Postscriptum Polonistyczne
|
2010
|
issue 1(5)
205-216
EN
We are treated with a series of short interviews with directors representing older and younger generations (K. Kutz, K. Zanussi, M. Pieprzyca, M. Piekorz, B. Konopka) who comment on contemporary Polish cinema with a focus on the cinema of Silesia, as well as their own productions and future plans.
5
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Półka filmowa sezonu 2017

100%
Tambor A.
Postscriptum Polonistyczne
|
2018
|
issue 1 (21) Pomiędzy Polską, Portugalią i Brazylią. Literatura – kultura – język – edukacja
31-323
EN
The article presents the summary of the 2017 season of Polish filmmaking. All movies mentioned in the article are chosen and described according to that which would be interesting for a foreigner or a person who studies Polish as a foreign language. The following films are described in the article: Twój Vincent [Loving Vincent], Listy do M. 3 [Letters to Santa 3], Najlepszy [The Best], Zgoda [The Reconciliation], Pokot [Spoor], Komunia [Communion].
6

Półka filmowa 2015

100%
Tambor A.
Postscriptum Polonistyczne
|
2016
|
issue 1(17)
274-285
EN
The article presents the summary of the 2015 season of Polish filmmaking. All movies mentioned in the article are chosen and described according to that which would be interesting for a foreigner or a person who studies Polish as a foreign language. The following films are described here: Król życia, Chemia, Obce niebo, Demon, Klub włóczykijów, Panie Dulskie, Disco polo, Listy do M. 2, Moje córki krowy, Mur.
7
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Filmowa półka sezonu 2011/2012

100%
Tambor A.
Postscriptum Polonistyczne
|
2012
|
issue 1(9)
283-293
EN
The article presents a summary of film events of the season 2011/2012. Films that can be found here are: Uwikłanie [Entanglement] directed by Jacek Bromski, Bitwa warszawska 1920 [Battle of Warsaw 1920] – the first Polish movie filmed in 3D, directed by Jerzy Hoffman, Ewa directed by Adam Sikora and Ingmar Villqist, Baby są jakieś inne – a long expected film by Marek Koterski, director of Dzień świra [The Day of the Wacko], Listy do M. [Letters to Santa] by Mitja Okorn, Wymyk by Greg Zgliński, Habemus Papam – an Italian film featuring Jerzy Stuhr directed by Nanni Moretti, Los numeros by Ryszard Zatorski, W ciemności [In Darkness] – Polish film directed by Agnieszka Holland nominated to the Oscar Academy Avard, Trzy minuty 21:37 directed by Maciej Ślesicki. The author endevours to comment on the most famous films of the last year and the beginning of this year, viewing them through the eyes of a foreigner who may be interested in Polish cinema and Polish culture.
8
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Filmowa półka sezonu 2012/2013. Część II

100%
Tambor A.
Postscriptum Polonistyczne
|
2013
|
issue 1(11)
199-212
EN
This article presents the second part of the summary of the season 2011/2012 of Polish film­making. The following films are decribed here: 80 milionów dir. Waldemar Krzystek; Big Love dir. Barbara Białowąs; Hans Kloss. Stawka większa niż śmierć dir. Patryk Vega; Imagine dir. Andrzej Jakimowski; Jesteś Bogiem dir. Leszek Dawid; Lęk wysokości dir. Bartosz Konopka; Mój rower dir. Piotr Trzaskalski; Nad życie dir. Anna Plutecka­‑Mesjasz; Obława dir. Marcin Kryształowicz; Paths of Hate dir. Damian Nenow; Pokłosie dir. Władysław Pasikowski; Róża dir. Wojciech Smarzowski; Rzeź dir. Roman Polański; Supermarket dir. Maciej Żak. The author concentrates mainly on the premieres for the second half of the year 2012. All the movies that are described in the article are presented from the perspective of how interesting they would be to a foreigner or a person who studies Polish as a foreign language.
9
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Półka filmowa 2016 (i trochę 2017)

100%
Tambor A.
Postscriptum Polonistyczne
|
2017
|
issue 1 (19) W kręgu badań językoznawczych
275-288
EN
The article summarises the 2016 film season and mentions a few films that have been released in 2017. The author presents the advantages and disadvantages of certain films regarded as material to Polish culture. The article describes the following movies: Jarocin, po co wolność?, Jestem mordercą, Maria Curie, Ostatnia rodzina, Planeta singli, Powidoki, Smoleńsk, Szczęście świata, Sztuka kochania.
10
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Półka filmowa 2018

100%
Tambor A.
Postscriptum Polonistyczne
|
2019
|
issue 1(23)
279-288
EN
The article presents a summary of the 2018 season of Polish filmmaking. All movies mentioned in the article are chosen and described according to that which would be interesting for a foreigner or a person who studies Polish as a foreign language. The following films are described in the article: Zimna wojna [Cold War], Kler [The Clergy], Jeszcze dzień życia [Another Day of Life], Jak pies z kotem [A Cat with a Dog], Kamerdyner [The Butler], 303. Bitwa o Anglię [Hurricane: Squadron 303], Dywizjon 303. Historia prawdziwa [Squadron 303. A True Story].
11
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Filmowa półka 2009 roku

100%
Tambor A.
Postscriptum Polonistyczne
|
2010
|
issue 1(5)
239-250
EN
The article deals with the ten most interesting films shown in cinemas in 2009. The author analyzes strong and weak points of each film and tries to justify her choice. The reader will find reviews of such titles as: Dom zły (The Dark House), Rewers (Reverse), Wszystko co kocham (All That I Love), Tatarak (Sweet Rush), Wojna polsko¬ ruska (Polish Russian War/Snow¬ White and Russian Red), Kochaj i tańcz (Love and Dance), Drzazgi (Splinters), Królik po berlińku (Rabbit à la Berlin), Ile waży koń trojański (How Much Does the Trojan Horse Weight?), and Galerianki (Mall Girls).
12
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Przemiany bohatera w powojennym kinie polskim – od Supermana do Wonder Woman

100%
Tambor A.
Postscriptum Polonistyczne
|
2017
|
issue 2 (20) Oblicza kobiecości
193-205
EN
The article presents the evolution of the heroes in Polish cinema after the Second World War, as well as while showing the characters that influenced the social awareness of Poles, it reveals those which have been created in response to the social needs. Although the Polish postwar cinema for decades used to be exclusively masculine, lately this tendency changed, and thus for, the author shows that the features and attributes of male characters have been transferred to the female characters by the scenarists and film directors.
13
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Półka filmowa 2013–2014

100%
Tambor A.
Postscriptum Polonistyczne
|
2014
|
issue 1(13)
251-264
EN
The article presents the summary of the season 2013/2014 in Polish film¬ making. All movies described in the article are presented from the perspective of what would be interesting for a foreigner or a person who studies Polish as a foreign language. The following films are decribed here: Być jak Kazimierz Deyna, Chce się żyć, Dziewczyna z szafy, Felix, Net i Nika oraz teoretycznie możliwa katastrofa, Ida, Mój biegun, Układ zamknięty, W imię…, W ukryciu, Wałęsa. Człowiek z nadziei, Żywie Biełaruś.
14
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Sprawozdanie z projektu Wsparcie integracji cudzoziemców w województwie śląskim

100%
Tambor A.
Postscriptum Polonistyczne
|
2019
|
issue 2 (24)
309-315
EN
The report concerns the principal assumptions and the first phase of the pro-ject entitled Supporting integration of foreigners in the Silesian Voivodeship, implement-ed thanks to co¬ financing obtained from the Asylum, Migration and Integration Fund. The text describes the activities undertaken by the main partners of the project, i.e. the Silesian Voivodeship Office and the School of Polish Language and Culture of the University of Silesia in Katowice. The report includes de-tailed information on linguistic and cultural education of adults and children, including a summing up of the most important content taught during Polish language classes, allowing the project participants to function more easily with-in the Polish environment.
15
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O ekspertyzie nt. promocji i uczenia języka polskiego w świecie

100%
Tambor A.
Postscriptum Polonistyczne
|
2018
|
issue 2 (22) Glottodydaktyka wśród dzieci i młodzieży wobec wyzwań wielo-, transkulturowości i ruchów migracyjnych
265-272
EN
The article author describes the methods of creating a strategy of Polish language teaching and promotion in the world. It contains the following elements: teaching Polish as a second/foreign language in all age groups and at all levels of educational systems (including higher education), different forms of promoting the Polish language in the world, coordinating activities and defining tasks of particular institutions as well as identifying the necessary legislative changes and methods of financing certain promotional activities.
16
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Półka filmowa 2014

100%
Tambor A.
Postscriptum Polonistyczne
|
2015
|
issue 1(15)
237-247
EN
The article presents the summary of the season 2014/2015 in Polish filmmaking. All movies described in the article are presented from the perspective of what would be interesting for a foreigner or a person who studies Polish as a foreign language. The following films are described here: Ida, Bogowie, Fotograf, Hardkor disko, Jurek, Kebab i horoskop, Miasto 44, Służby specjalne, Zbliżenia.
17
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Kronika filmowa 2008

100%
Tambor A.
Postscriptum Polonistyczne
|
2008
|
issue 2(2)
243-255
18

W Indonezji już mówią po polsku. Uniwersytet Śląski na targach EHEF i na indonezyjskich uniwersytetach

63%
Tambor A., Rudzińska A.
Postscriptum Polonistyczne
|
2016
|
issue 1(17)
305-309
19
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VI Światowy Kongres Polonistów: Polonistyka na początku XXI wieku. Diagnozy. Koncepcje. Perspektywy. Badania inter- i transdyscyplinarne

63%
Tambor J., Tambor A.
Postscriptum Polonistyczne
|
2017
|
issue 1 (19) W kręgu badań językoznawczych
317-327
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