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EN
The aim of the article is to present the problem of invention in Polish contemporary narrative journalism. The analysis of creative non-fiction books written by Katarzyna Surmiak-Domańska, Jacek Hugo-Bader and Wojciech Jagielski helps to distinguish the levels of invention (e.g. incorporating elements of fantastic or realistic fiction, creating events in undercover journalism) in this literary-journalistic genre. While comparing the chosen examples, the author tries to show whether/ in what conditions fabricated or exaggerated facts lead to breaking a factographic pact between writer and reader.
EN
This paper attempts to legitimize and distinguish the journalistic variant of biographical writing from other functional forms, including scholarly and literary biography. The presence of the term „journalistic biography” in the professional and amateur criticism is a manifestation of the readers’ awareness of genre theory and understanding a genre as a communicational convention. This kind of perception is closely related to the phenomenon called „horizons of expectations” and the particular pact made between the author and the reader. Focusing on Angelika Kuźniak’s works, the paper shows the specific role of a reporter being the biographer and a biographer being the reporter. The analysis of Kuźniak’s biographical books (Marlene, Papusza and Stryjeńska) and reportage (Mam bardzo cienkie powieki) helps to recognize the differences between the biographical reportage and the journalistic biographical story. Following this distinction, the paper suggests that the term „journalistic biography” should be considered as a name of the group of genres and discourses related to the functional styles or, in other words, a specific transmitter–receiver situation.
EN
The paper focuses on genealogical aspects of three interwar novels by Jalu Kurek – Andrzej Panik, Grypa szaleje w Naprawie, Woda wyżej) – which have often been described by critics as “reportage novels”. The author examines the past critical reception of the novels and the intentio auctioris. The main goal of the article is to suggest a more capacious genealogical term: the journalistic novel.
PL
Artykuł stanowi próbę zdefiniowania gonzo journalism w kontekście rozważań nad „literackością” i „dziennikarskością”. Łże-reportaż Ziemowita Szczerka „Przyjdzie Mordor i nas zje” porównany został z tekstami Huntera S. Thompsona i książkami reporterskimi Jacka Hugo-Badera. Autorka stara się odpowiedzieć na pytanie, jakie konsekwencje dla „dziennikarskości” tekstu ma wprowadzenie fikcyjnego narratora i co decyduje o zawarciu paktu faktograficznego z czytelnikiem.
EN
The article is an attempt to define gonzo journalism in the context of the debate on the “literariness” and “journalistic” nature. The quasi-reportage by Ziemowit Szczerek “Przyjdzie Mordor i nas zje” [Mordor will come and eat us] is compared with the texts by Hunter S. Thompson and reportage books by Jacek Hugo-Bader. The author tries to answer the question about the consequences of introducing a fic - tional narrator for the “journalistic nature” of a text, and what determines the fac- tual pact with the reader.
EN
The article focuses on the analysis of the post-1989 Polish prose of writers born in the late 70’s and early 80’s of the 20th century. They set their works in small, face-to-face communities: peer, regional or work-place. In each case, the nature of the community or communities represented is discussed, with special focus on the specifics of social structure. The young writers reflection on the post transformation everyday life in Poland is based on their own experiences. The paper is concerned on the autobiographical strategies of this fiction, which are discussed mainly in the historical context of the between the wars Polish social novels.
XX
Materials to „The Companion o f the Literary Genres ”
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