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1

LITERARY TERMINOLOGY OF BOHUSLAV TABLIC I. DIFFERENTIATION OF THE CONCEPT OF THE 'ART OF LITERATURE' (Literarne pojmoslovie Bohuslava Tablica I. Obsahova diferenciacia pojmu 'literni umeni' (literne umenie))

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Riskova L.
Slovenská literatúra (Slovak Literature)
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2010
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vol. 57
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issue 5
415-428
EN
The art of literature - both in the written and in oral form is a basic mean for transmitting of information. In the both meanings, referring to either to books or the book culture and also in the abstract meaning referring to education and knowledge, it should primarily mobilize effort to improve life condition of people and to be involved in the process, contributing to stabilization of ethical and religious norms in the social consciousness. Its meaning was increased in relation of the mean for stimulation of language and cultural consciousness of the ethnic and national groups. Research of the Tablic´s understanding of the art of literature in its complexity includes searching the material and his statements in the both poetic texts and fictions or in the commentaries and additional supplements of his editions or translations. He seems to make clear differentiation of particular types of literary expression. He differentiated informative texts from the texts with aesthetic function.
2

SOME REMARKS ON RELATIONSHIP OF BOHUSLAV TABLIC TO BERNOLAK'S FOLLOWERS (Niekolko poznamok o vztahu Bohuslava Tablica k bernolakovcom)

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Riskova L.
Slovenská literatúra (Slovak Literature)
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2009
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vol. 56
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issue 1
1-14
EN
The history of literature research of mutual relationships between the Slovak Lutheran and Catholic communities (Protestant followers accepting the Czech language as a literary language in Slovak environment and Bernolak's followers) in the period of turn of the 18th and 19th centuries cannot be limited only to language issues. Into his summarisation of the history of literature reflection on the Slovak environment Tablic included only authors of the Lutheran Confessions, or those ones who wrote in Czechoslovak language. He did not accept attempts of Bernolak's followers to enforce original, domestic Slovak language as a literary language and he criticised it. Between both of the confessional communities there was any significant manifestation of reluctance. Both of the 'camps' reflected each other and watched the activities of each other. Surveying Tablic's opinions on the form of literary language in the Slovak environment confirm that he accepted original Slovak language. He valued Slovak language elements as means for enriching the Czech language. Due to this fact he could be supposed to acknowledge Bernolak's followers' interest in the original Slovak language. Tablic respected most historical or statehood relationship of Czechs and Slovaks but he never accepted the principle of their national unity. His choice of Czechoslovak language can be considered as pragmatic decision for 'simpler' way because the Czech language had much richer literary and cultural tradition. It can be concluded that in spite of the various conceptions about the form of literary language in the Slovak environment in the question of origin of Pannonian Slovaks Tablic's conceptions could not be possibly distant from the opinions of Bernolak's followers.
3

THE MUSE OF TATRAS WITH A SLAVONIC LYRE - QUESTIONS ABOUT SAFARIK'S (POETIC) PIONEERING (Tatranska Muza s lyrou slovanskou - otazniky nad Safarikovym (basnickym) prvenstvom))

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Riskova L.
Slovenská literatúra (Slovak Literature)
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2011
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vol. 58
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issue 3
240-258
EN
Safarik's collection of poems Tatranska Muza s lyrou slovanskou (The Muse of Tatras with a Slavonic lyre, Levoca, 1814) attracts a lot of attention in the literary-historical discourse - as a rule it is regarded as an important milestone in the development of Slovak poetry, or as the first manifestation of real modern Slovak poetry. On the other hand, it overshadows - not quite fairly - other authors´ literary works written at the turn of the 18th and 19th centuries. Recent interpretations and analyses of the period of Slovak literature in question shows the need to review some of the profiles, especially those which comment on its influence on steering domestic literary development. Although it is indisputable, some of Safarik's poems carry features of more personal, subjective or intimate poetic expression, it cannot be overlooked that he often combined it with other poetic strategies which are just as relevant sources of information when reconstructing general outlines of the Slovak literary development. Therefore when analysing and assessing (not only) Safarik's collection, it is necessary to take account of the complete list of contemporary literary principles, a possibility of foreign influence or a number of other potential sources of inspiration, as well as the historical, social and cultural context of the overall contemporary literary production.
4

INSPIRING STIMULUS FOR RESEARCH OF EARLY SLOVAK LITERATURE (NOGE´S ATTEMPT TO OUTLINE THE EVOLUTION OF THE FICTION IN SLOVAK LITERARY PRE-CLASSICISM) (Slovak title below)

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Riskova L.
Slovenská literatúra (Slovak Literature)
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2011
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vol. 58
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issue 4
331-338
EN
(Slovak title: Inspirativny impulz pre vyskum starsej slovenskej literatury (Nogeho pokus o nacrt problematiky vyvinu umeleckej prozy v slovenskej literature predklasicistickeho obdobia)). Julius Noge's study Prvky umeleckej prozy v slovenskej literature predklasicistickeho obdobia (Pokus o nacrt problematiky), which was published in the magazine Slovenska literatura (Slovak Literature)in 1968, can be seen as an interesting attempt to question the opinion that the fiction of Slovak Pre-Classicism had been limited by factuality. He emphasized the need for a new view of the quality of less representative prose genres, which were the substantial part of the literary production of that time, while he accented the necessity of respecting their syncretic character. He also drew attention to the necessity of revising the functions of poetry genres, or individual poetic texts of early literary periods. He showed that there is an urgent need to do new research on pre-Stur literature free from traditional assessments, which would point out the special features of the Slovak literature evolution, and the way to clarify the process of genetic formation of Slovak fiction.
5

LITERARY TERMINOLOGY OF BOHUSLAV TABLIC II. THE TERM ART OF POETRY AND ITS VARIANTS IN THE CONTEXT OF TABLIC´S REFLECTION FROM THE HISTORY OF LITERATURE (Slovak title below)

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Riskova L.
Slovenská literatúra (Slovak Literature)
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2010
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vol. 57
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issue 6
538-551
EN
(Slovak title: Literarne pojmoslovie Bohuslava Tablica II. Pojem poetske umeni a jeho varianty v kontexte Tablicovych literarnohistorickych reflexii). Bohuslav Tablic used several variants of terms to determine poetic activity. He characterized ability of authors to write in verse form and according to the poetic rules. That way he depicted poetic activity and distinguished it from the other types of literary works. He used the terms not in perfect systematic order that is why their distinctive features are not always understandable. Following the context of his work, we think that he also determined the types of poetic techniques. He distinguished inner structure of verse according to two principles: 1. an organisation of the poetic text, according to the quantitative metre, 2. some parts of metre were organized according to strict scheme, based on the rhythm and intonation of syllabic verse. The quality of poetic text was not generated from the quality of the poetic art of authors and the quality of poetic technique. Following the poetic rules strictly was not for him an inevitable condition to meet the taste of readers.
6

SUZANNE OF BABYLONIA - TABLIC'S LITERARY EXPERIMENT? (Zuzana Babylonska - Tablicov literarny experiment?)

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Riskova L.
Slovenská literatúra (Slovak Literature)
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2009
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vol. 56
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issue 4
249-270
EN
Suzanne of Babylonia is poetic composition, a kind of occasional poetry. We recognize in inspectional reading that the poet breaks traditional scheme of occasional poems of felicitation type. We consider the poem as an artistic jewel in the Slovak literature from the turn of the 18th - 19th centuries. It shows a mosaic of number of detailed artistic artefacts in both figurativeness and non traditional composition. Tablic made an experiment with structure, composition, and also with a poem length. He used unusual motifs and pictures and non traditional verse and rhythmic scheme. His auctorial approach is remarkable in many ways. Tablic's auctorial strategy is mapped in the text and it could help to get a deeper insight into textual meaning as well as into a kind of influence on further development of Slovak literature in the period of the turn of the 18th - 19th centuries. It is possible that just this sort of writing made space for Tablic to use specific, in our literary context still non traditional literary methods, although they were quite common in the western European countries in that time.
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