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ARS
|
2010
|
vol. 43
|
issue 1
51-68
EN
The article focuses on the analysis of the specific relationship between painting and photography in the 1960s and 1990s. Through the works of model artists from the 1960s and 1990s - Gerhard Richter (b. 1932), Richard Hamilton (b. 1922), Franz Gertsch (b. 1930), Georg Shaw (b. 1966), Peter Doig (b. 1959), Elizabeth Peyton (b. 1965) and Luc Tuymans (b. 1958) -, the paper compares approaches to reality, which project into the different concepts of image, and relate, on the one hand, to the change in the regime of vision, and on the other hand to the so-called Pictorial Turn.
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