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EN
The Practice of Deep Listening in the Urban Research. On the Soundscape of Saint Martin Street Project The article raises the issue of the use of sound based methods – including in particular the practice of the deep listening – in the research on urban cultural spaces. It posits the question of the status of the urban knowledge produced with regard to the auditive epistemologies. The considerations revolve around the assumption of the interconnection between the sonic, functional and socio-cultural dimension of the urban space. The article associates the practice of deep listening with the idea of critical engagement in urban research and with the approach of autoetnography. Its empirical basis are the results of the research project Soundscape of Saint Martin Street realized at the Institute of Cultural Studies and the Institute of Acoustics at Adam Mickiewicz University, in the academic year 2014/2015.
EN
The article proposes a reconstruction of the basic assumptions of the concept of movement introduced by Deleuze and Guattari in A Thousand plateaus. The reconstruction, based on the strategy of a close reading, distinguishes three basic elements describing the absolute movement of war machine: a contingent change of direction dictated by a factual necessity, free action and a creative act. The context of reflection on the movement of a war machine is the question of its role in developing urbanity. The article puts forward the thesis that the city and its culture is the effect of a productive tension between the smooth and striated space, the duration of which depends on maintaining difference which divide them.
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