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Sen w koncepcji artystycznej utworów Antona Czechowa

100%
Ksenicz A.
Slavica Wratislaviensia
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2012
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vol. 155
143-153
EN
The author of this article attempts to answer the question of the functional role of dreams in the prose of thewriter of The Steppe. The analysis of asequence of writings allows one to conclude that the oneiric issues play acrucial role in the writer’s works; although dreams, delirium and hallucinations, a part from the story The Black Monk perhaps, are treated by him in accordance with physician practices, which stems from the writer’s professional preparation as well as scientific understanding of this psycho-physical states of man.
2

Kanon kobiecości w rozumieniu Antona Czechowa

100%
Ksenicz A.
Slavica Wratislaviensia
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2011
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vol. 153
271-278
EN
In the present paper, the author endeavours to explain the role of a woman’s beauty and female body in the artistic code of the writer’s works. Even in Chekhov’s early literary texts, there can be found examples of the use of woman’s portrait as a component of his main characters, both men and women contribute in a peculiar way to the overall psychological portrayal of a human being. This extraordinary pictorial device employed by the author of The Bride determines, to a large extent, the specific character of his literary output.
3
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Antona Czechowa spojrzenie na bieg historii

100%
Ksenicz A.
Studia Rossica Posnaniensia
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2017
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issue 42
45-54
PL
Among the issues, themes and contributions which Anton Chekhov undertook in his works, one may also find the broadly-understood issue of an individual's place in the course of historical events. In this case, and others like it, this writer's opinion stands out among the works of other Russian writers. This is related to the fact that the author of The Steppe is convinced that the individual, and his conscious behaviour, contributes to the behaviour of a group and society. This is in contrast to the reasoning of most Russian writers of those times; however, it proves to be characteristic of Chekhov's thinking.
4
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Rok 1812 w poezji rosyjskiej

100%
Ksenicz A.
In Gremium. Studia nad Historią, Kulturą i Polityką
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2014
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vol. 8
43-52
EN
Napoleon’s invasion of Russia in 1812 had a great impact throughout Russian society and was also reflected in Russian literature. The poets of the period, both those widely remembered today as well as those forgotten, were the group of artists who most immediately responded to the event. Memories of those days of challenge were indelibly printed on the Russian mind. National poets such as A. Puszkin and M. Lermontow reached back to 1812 and depicted the Russian peoples’ heroic commitment to the defense of their country.
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