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1
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Produkowanie estetyk, produkowanie podmiotu. Początki odwilży i wolność twórcza w sztukach wizualnych na przykładzie wystawy w Arsenale

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Dąbrowski J.
Artium Quaestiones
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2018
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issue 29
381-408
PL
In Polish art history, there are two approaches to the “Arsenał” exhibition of August 1955. One, rooted in the debates around it, presents the “Arsenał” as the beginning of a political “thaw” – an act of emancipation, a demonstration of young artists who rebelled against the socialist realism. The other approach to the show or, rather, to the “thaw” as a whole, rejects an interpretation of artistic processes and choices as autonomous activities. Instead, with reference to the theory of Michel Foucault, the “Arsenał” is considered as a result of a reconfiguration of scattered power relations, stimulated by the changing strategies of the institutional power system. The present paper follows the latter approach. Foucault claims that power relations are combined with three interconnected types of human relations: defining the hierarchy of tasks and division of labor, compelling obedience, and performing “communicative binding,” i.e. purposeful action that affects the actors’ knowledge of the world and of themselves. After 1954, power relations in Poland were strategically changing: the system of labor division and the distribution of art, including all the related benefits, was still centralized, but the ineffective administrative control relaxed, while the production of meaning changed as well – the communist party modified its rhetoric referring to art and the range of artistic choice grew together with the options of communication. Still, the liberalization of the system and abandoning the Moscow version of the socialist realism in cultural policy did not mean any real increase of the freedom of choice. Using state exhibition institutions and the press, which was the main channel of communication between the authorities and the masses, the communist regime continued to control the aesthetic consciousness of the artists. An analysis of both printed and visual messages found in the press of the period, specialist periodicals and daily newspapers alike, has revealed a surprising similarity of the official discourse and the aesthetic choices made by the participants of the “Arsenał” – in particular those choices which were later interpreted as attempts to reject the socialist realism and launch a new beginning. It seems that the young artists were “positively censored,” i.e. the regime succeeded in creating an aesthetic reality which they accepted. What is more, they considered it subversive as an emanation of liberty. The selection of the aesthetic modes favored by the authorities took place in an unconscious way already at the stage of creation, before particular works of art were accepted by the ”Arsenał” jury and before they were actually controlled by the institutions of censorship.
2
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Recenzja książki Andrzeja Draguły: Bluźnierstwo. Między grzechem a przestępstwem

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Dąbrowski J.
Studia Litteraria et Historica
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2015
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issue 3–4
EN
Andrzej Draguła Bluźnierstwo. Między grzechem a przestępstwem (Blasphemy: between sin and offence) – a book review by Jakub DąbrowskiThe text is a review of the book Bluźnierstwo. Między grzechem a przestępstwem by Andrzej Draguła, a priest and Doctor of Theology. He reflects on the conflict between Catholic orthodoxy and liberal social practices in the domains of art and visual culture. Apart from the theological interpretation of blasphemy, the book presents numerous examples of controversial and iconoclastic works of art and commercials. The author also attempts to analyse in detail the features of criminal offences which are in­sulting for the feelings of religious believers (Par. 196 of Polish Criminal Code) – a contemporary, secular equivalent to blasphemy. Recenzja książki Andrzeja Draguły: Bluźnierstwo. Między grzechem a przestępstwemTekst jest recenzją książki Bluźnierstwo. Między grzechem a przestępstwem autorstwa Andrzeja Dra­guły, w której autor – ksiądz i doktor habilitowany teologii – rozważa problem konfliktu między katolicką or­todoksją a liberalnymi praktykami społecznymi w dziedzinie sztuki i kultury wizualnej. Oprócz teologicznego ujęcia kwestii blasfemii w książce zostały omówione liczne przykłady kontrowersyjnych, obrazoburczych dzieł sztuki oraz reklam. Autor podjął się również detalicznej analizy znamion przestępstwa obrazy uczuć religij­nych (art. 196 k.k.), które jest współczesnym, świeckim odpowiednikiem dawnego przestępstwa bluźnierstwa.
3
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Doświadczenie Ducha Świętego w życiu Maryi

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Dąbrowski J.
Teologia w Polsce
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2012
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vol. 6
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issue 1
143-154
EN
The promise of the New Covenant, which was given by God to Israel, realizes in Virgin Mary who belongs to this nation. She receives, in her faith, the Holy Spirit. According to the prophecies of the Old Testament she hereby becomes the ‘Daughter of Sion’ and the ‘Ark of the covenant’ – the personal ‘place’ of the transforming activity of the third Divine person. The bond with the Holy Spirit makes possible her profound relationship with the Father and the Son. Through this bond she becomes holy, consecrated to God (theosis). There exist certain signs of the internal transformation – phenomena of the Holy Spirit: spiritual joy or prophecy’s charisma. Theology notices active and model presence of Mary in the community of Church. Therefore the experience of the Spirit in the life of Virgin Mary becomes a revelation of his presence in the community of christians and an invitation to receive him by faith. The behaviour of Virgin Mary encourages to listen to a speech of the Spirit and to accept signs of his activity. Her behaviour is also a measure which lets recognize whether presence of the Holy Spirit experience is authentic and really profound.
PL
Przyjęty przez wiarę Duch Święty czyni Maryję oblubienicą Boga w komunii osób. W niej spełnia się obietnica przymierza, udzielona przez Boga Narodowi Wybranemu, który ma stać się oblubienicą Świętego Oblubieńca (por. Oz 2; Ez 16). Będąc figurą Izraela, Maryja jest jednocześnie wzorem dla Kościoła (por. RM, 6). Jej relacja do Ducha Świętego stanowi dla chrześcijanina zaproszenie do przyjęcia osoby – Daru Ducha Świętego, którego Jezus posyła od Ojca (por. J 14,26; 16,7). Duch Święty wprowadza bowiem w życie Boga w komunii osób (por. Rz 8,14–17), umożliwiając tym samym i realizując oblubieńcze przymierze miłości.
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Diagnoza psychiki na podstawie marzenia sennego

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Dąbrowski J.
Ars Educandi
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2016
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issue 13
97-106
EN
The domains of dreams and imagination are close to one another. This article discusses if it is possible to identify real psychological traits on the basis of dreams. The following dream theories are discussed: classical psychoanalytical theory, Carl Jung’s analytical psychology, Alfred Adler’s individual psychology, and the cognitive theories of Aaron Beck and Harold Doweiko. Their presentation is supplemented with neuropsychological and chronobiological approaches. English translation: Anna Moroz-Darska Modernisation of the journal's operations and translation into the English language of articles published in Ars Educandi in 2012-2017 were financed with funds from the Ministry of Science and Higher Education as a part of the task Science Promotion Activity (pl. DUN). The task ‘The implementation of the editorial module on the platform of Uniwersyteckie Czasopisma Naukowe – a system facilitating the editing and management of the academic journal Ars Educandi‘ was financed as a part of contract 661/P-DUN/2018 of 12.06.2018 from funds of the Ministry of Science and Higher Education designated for the promotion of science. The task ‘The creation of a modern online version of the academic journal Ars Educandi through the implementation of the publication module on the platform of Uniwersyteckie Czasopisma Naukowe and the handling of international indexing databases’ was financed as a part of contract 661/P-DUN/2018 of 12.06.2018 from funds of the Ministry of Science and Higher Education designated for the promotion of science. The task ‘Preparation of the English language version of the last 6 annual issues (2012-2017) of the academic journal Ars Educandi and their publication online’ was financed as a part of contract 661/P-DUN/2018 of 12.06.2018 from funds of the Ministry of Science and Higher Education designated for the promotion of science.
PL
Świat snu oraz świat wyobraźni to dwie bardzo zbliżone domeny. W artykule zadano pytanie o to, czy na podstawie marzeń sennych można wnioskować o rzeczywistych właściwościach psychicznych osób śniących. Omówiono teorie snu klasycznej psychoanalizy, psychologii analitycznej Carla Gustava Junga, psychologii indywidualnej Alfreda Adlera oraz teorie poznawcze Aarona Becka i Harolda Doweiki. Prezentację wymienionych badaczy wsparto danymi z neuropsychologii oraz chronobiologii. Modernizacja działania Czasopisma oraz tłumaczenia na język angielski artykułów Ars Educandi na lata 2012-2017 zostały sfinansowane ze środków Ministerstwa Nauki i Szkolnictwa Wyższego z zadania Działalności Upowszechniającej Naukę (DUN). Zadanie: Wdrożenie modułu redakcyjnego na platformie Uniwersyteckich Czasopism Naukowych - systemu wspomagającego redagowanie i zarządzanie czasopismem naukowym Ars Educandi sfinansowano w ramach umowy 661/P-DUN/2018 z dnia 12.06.2018 ze środków Ministra Nauki i Szkolnictwa Wyższego przeznaczonych na działalność upowszechniającą naukę. Zadanie: Stworzenie nowoczesnej wersji on-line czasopisma Ars Educandi przez wdrożenie modułu publikacyjnego na platformie Uniwersyteckich Czasopism Naukowych oraz obsługę międzynarodowych baz indeksacyjnych sfinansowano w ramach umowy 661/P-DUN/2018 z dnia 12.06.2018 ze środków Ministra Nauki i Szkolnictwa Wyższego przeznaczonych na działalność upowszechniającą naukę. Zadanie: Przygotowanie anglojęzycznej wersji ostatnich 6 roczników (2012-2017) czasopisma naukowego Ars Educandi i ich wydanie w wersji online sfinansowano w ramach umowy 661/P-DUN/2018 z dnia 12.06.2018 ze środków Ministra Nauki i Szkolnictwa Wyższego przeznaczonych na działalność upowszechniającą naukę.
5
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A few remarks on the mechanisms of censorship in the PRL and the Third Republic of Poland

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Dąbrowski J.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2017
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vol. 45
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issue 7
209-224
EN
The purpose of the paper is to discuss the mechanism of censorship before and after 1990 when the mission of the communist Chief Control Bureau for Press, Publications and Performances (GUKPPiW) was terminated. Communist censorship was not, as we have grown to perceive it, a case-based preventive control of the flow of ideas but a complex and continuous system of relations which shaped desired social actions. Institutional censorship only ensured the coherence of messages produced by self-censoring culture outlets: representatives of the media, scholars, writers, and artists. In my opinion the abolition of GUKPPiW was not some radical rupture, it seems that some of the mechanisms of censorship have a rather permanent nature, regardless of the political system. Moreover, even though institutional control over the discursive sphere was lifted, many informal relations of power have remained untouched. These dispersed power relations have been shaping Polish society’s view of the world for centuries deciding what is good or bad, nice or ugly, decent or indecent, Polish or non-Polish, and last but not least – expressible or inexpressible.
6
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„Droga piękna” (via pulchritudinis) a realizacja misji Kościoła według B. Fortego

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Dąbrowski J.
Roczniki Teologii Dogmatycznej
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2013
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vol. 5
181-190
EN
“The way of beauty” in Bruno Forte’s view appears to be experienced faith or life in the horizon of faith. Beauty, as a category connected with the attitude of love, is a moving, dynamic value. Understood in this way beauty of love till the end can be discovered in the icon of the Beautiful Shepherd – the Crucified Christ. In this personal fragment of history the entirety of the Mystery comes to us – God, who is Love (cf. 1 John 4, 8.16). The love that is cognized is the driving force: love demands a reply of gratefulness. This responsorial character of love that should be characteristic of every Christian, can be first of all seen in Mary – All Beautiful, a transparen Icon of the Mystery. Contemplation of Christ’s face (following Her example of in Her), to which Blessed John Paul II encouraged the faithful (cf. NMI 25), leads to a transformation of the person and the world of persons, as it is entering the way of beauty, whose end is beauty of the person and beauty of the world. For “beauty will save the world” (F. Dostoyevsky).
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