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Rola pisarstwa autobiograficznego w kształceniu logopedycznym. Przykłady

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Chłosta-Zielonka J.
Logopedia
|
2019
|
vol. 48
|
issue 1
373-385
PL
Celem artykułu jest wskazanie, jak ważną rolę w praktycznym i pełnym poznaniu najpoważniejszych schorzeń, z którymi spotkają się przyszli logopedzi – zespołu Downa, autyzmu i afazji, pełni pisarstwo autobiograficzne. Wykorzystując swoje immanentne cechy, autentyczność i wiarygodność przekazu, będzie w naturalny sposób wprowadzało w trudne problemy psychiczne, psychologiczne, a nawet medyczne. Dlatego też w kształceniu logopedycznym pisarstwo autobiograficzne dotyczące wymienionych chorób powinno być lekturą obowiązkową.
EN
The article focuses on the issue of autobiographical writing and the role it plays in the practical and full understanding of the most serious diseases that future speech therapists will encounter – Down syndrome, autism and aphasia. Using its immanent features, authenticity and credibility of the message, it will naturally introduce into difficult mental, psychological, and even medical problems. Therefore, in the speech therapy training, autobiographical writing concerning these diseases should be obligatory reading.
2

Obrazy Olsztyna utrwalone w najnowszej prozie roczników 70. i 80. w relacji z przeszłością i teraźniejszością

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Chłosta-Zielonka J.
Prace Literaturoznawcze
|
2015
|
issue 3
323-334
EN
The aim of the paper is to point at the way in which contemporary writers use collective memory connected with Olsztyn, the town in which traces of the past can be seen in architectural and cultural landscape. Quoting after Elżbieta Rybicka definition of the memorials by the French researcher Pierre’a Nora, it can be assumed that memories concerning the past are kept by topographic places and monuments: statues, cemeteries and architecture. In the generation of people born in 70s won strategy which is called by Bartosz Korzeniewski ”de-browning” of history. The authors referred to the sings of the town’s past very critically. It was not until the first decade of the 21st century when the perspective of the description of Olsztyn’s everyday life changed. It can be noticed in the crime stories written by Tomasz Białkowski, short story by Michał Kotliński and crime story Rage by Zygmunt Miłoszewski.
3

Affects in Autobiographical Accounts and Poetic Statements about the Plebiscite in Warmia, Mazury and Powiśle in 1920

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Chłosta-Zielonka J.
Prace Literaturoznawcze
|
2019
|
issue 7
141-162
EN
The aim of this article is to illustrate the manner in which the circumstances of the plebiscitein Warmia, Mazury and Powiśle, held in 1920, were interpreted in both memoirs and poetic workswritten by authors who participated in those events, and to refer to their subjective assessmentsbased on their own emotions. The memoirs of Jan Boenigk, Jerzy Kolendo, Michał Lengowski,Anna Łubieńska, Karol Małłek and Adam Uziembło, as well as the poems by Michał Kajka, MichałLengowski, Alojzy Śliwa and Maria Zientara-Malewska are examined. This article uses relevanthistorical sources. The presented examples clearly testify to the affective attitude adopted by theauthors.
4

O pisarstwie gawędowym Maryny Okęckiej-Bromkowej

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Chłosta-Zielonka J.
Prace Językoznawcze
|
2008
|
issue 10
25-35
EN
The writings of Maryna Okęcka-Bromkowa (1922–2004), the Olsztyn author of hundreds of radio broadcasts, a collection of reportages as well as parables and memoirs, draws the reader’s attention to the greatly perfected style of tale narrative. Born and brought up as a half-orphan in a noble, Polish mansion house in Stadniki, she is permeated by the tradition of borderland, that also finds its expression in the expansion of the tale, as a literary genre, which is very often employed in the speaking and writing of the Eastern Borderlands’ people. Another source of the tale borrowings springs from the essence of her work in the field. As a journalist, while travelling around Poland, she recorded thousands of unique melodies, tales and customs.
5
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Zamiast powieści obyczajowej. Cechy współczesnej polskiej powieści sensacyjnej

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Chłosta-Zielonka J.
Media – Kultura – Komunikacja Społeczna
|
2013
|
issue 9
88-98
EN
The standard criteria of literary evaluation disappeared after 1989 in Poland. The literary genre hierarchy in literature has also become invalid. An important message can be conveyed in any genre, at the author’s discretion. The genres which were usually unprivileged in the literary tradition have gained importance. The author of the article analyses the phenomenon of detective story authors adopting the features of the classical novel. The authors present the social background and important features of contemporary Polish social life, e.g. the break-up of relationships, threats to the family, which is often a source of violence and the consumerist, materialist lifestyle of characters who have forgotten moral values. These stories involve problems related to the role of women in public and private life as well as the fashions and challenges facing contemporary Poles (styles of clothing, home decoration and spending free time). Such plots, which are typical of a classical novel, document post-modern reality in Polish detective stories.
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O literackim potencjale gwary warmińskiej od końca XIX wieku po czasy współczesne

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Chłosta-Zielonka J.
Prace Językoznawcze
|
2020
|
issue XXII/3
25–43
PL
Celem artykułu jest zestawienie tekstów literackich napisanych gwarą warmińską lub z wykorzystaniem jej słownictwa, które powstały od końca XIX w. po czasy współczesne. Zostały one przedstawione na tle historyczno-kulturowym Warmii i w kontekście prowadzonych badań językoznawczych, poczynając od działań Kazimierza Nitscha i Witolda Doroszewskiego, na Marii Biolik kończąc. W zbiorze tekstów, w których pojawiła się gwara warmińska, znalazły się bajki, pieśni, przysłowia, legendy, felietony, gawędy, komiks, a nawet elementarz. Konkluzją artykułu jest stwierdzenie o zmierzchu gwary warmińskiej, bezpowrotnym jej odejściu z codziennego obiegu i pozostaniu elementem dziedzictwa kulturowego.
EN
The purpose of the article is to juxtapose literary texts in the Warmian dialect or employin its vocabulary, which were written from the late 19th c. to modern times. They were presented against the historical and cultural background of Warmia and in the context of linguistic research, from the contribution of Kazimierz Nitsch and Witold Doroszewski to those of Maria Biolik. The collection of texts in which the Warmian dialect appeared included fairy tales, songs, proverbs, legends, columns, stories, comics and even an primer. The article is concluded with a statement that what we witness is the dusk of the Warmian dialect, its irrevrsible departure from everyday circulation, as now it only remains part of the cultural heritage.
7

Wulgaryzmy jako cecha idiolektu Jakuba Żulczyka na przykładzie powieści Wzgórze PsówWulgaryzmy jako cecha idiolektu Jakuba Żulczyka na przykładzie powieści Wzgórze Psów

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Chłosta-Zielonka J.
Prace Językoznawcze
|
2018
|
issue XX/3
7-24
8

Poetyka miejsca u Johannesa Bobrowskiego

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Chłosta-Zielonka J.
Prace Literaturoznawcze
|
2014
|
issue 2
315-325
EN
Output of Johannes Bobrowski, the author of four volumes of poetry − Sarmatische Zeit (1961)), Schattenland Ströome (1963), Wetterzeichen (1966) and Im Windgesträuch (1970), gives opportunity to have once again look on functions, which quoted places play in his poetry. It is worth to pay attention to his poetic imagination from the perspective of translocation of place in time and space by means of geopoetics’ instrumentarium. The space has become one of the most important factors for this poet. It is an example of writing down of human’s experiencing of place in the complex process of individual experiences connected with the process of shaping cultural, religious and social identity.
9

Beata Szady, Wieczny początek. Warmia i Mazury, Wydawnictwo Czarne, Wołowiec 2020, ss. 408

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Chłosta-Zielonka J.
Prace Literaturoznawcze
|
2020
|
issue 8
304-310
10

O metaforze w prozie Mariusza Sieniewicza

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Chłosta-Zielonka J.
Prace Językoznawcze
|
2007
|
issue 9
17-26
EN
The essay entitled On metaphor in Mariusz Sieniewicz’s prose portrays his works anew. Mariusz Sieniewicz belongs to the youngest generation of writers, the so-called ‘’1970s generation”. He has published two novels so far: Great-grandmother (1999), The fourth heaven (2003) and a collection of short stories We don’t serve Jewish ladies (2005). His prose impresses with unorthodox stylistics, makes us pay attention to the linguistic tone of words, makes us wonder because of its not literal and conveyed meaning. Sieniewicz’s works have an intertextual character, they clearly refer to Gombrowicz’s style or Bulgakov’s prose and other texts belonging to the literary tradition.
11

Powieść sensacyjna i jej determinanty. O kryminałach z Warmii i Mazur

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Chłosta-Zielonka J.
Prace Językoznawcze
|
2009
|
issue 11
53-63
EN
In the history of the 20th century literature sensational novels have always sought popularity despite many commentaries disqualifying the genre and labeling it as substandard. For example, after 1989 and next to the rising importance of the narrator hero - in relation to the so-far significance of the social-political background - the requirements concerning the form of expression have changed. Genres, which in literary tradition took an underpriviliged position, have become more popular. Their distinctive qualities have been used to make the story more attractive. This has happened to the popular novel, the family novel as well as the sensational one. On the Olsztyn literary scene, over the course of the decades of the post war period, several writers reached for a criminal story as the genre which, apart from the sensational story, was supposed to fill the regional thread of Warmia and Mazuria. The author of the article has in mind here Tadeusz Stępowski and Juliusz Grodziński, however within the Olsztyn literary circle only Tadeusz Ostaszewski developed this section of peripheral literature which gained popularity among the so-called average readers. It seems interesting that the writer gathers extreme opinions of his books: from applause and endorsement to accusations of graphomania and literary double-talk.
12

Najnowsza proza olsztyńskich twórców. Rekonesans

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Chłosta-Zielonka J.
Prace Literaturoznawcze
|
2013
|
issue 1
229-238
EN
The paper aims at presenting the community of Olsztyn authors, which has never been so dispersed and little consolidated since 1945. The authors hide in their artistic hermitages and avoid group comments. There is no literary magazine, which would constitute opinion-forming voice and create space for polemics, or exchange of views in Olsztyn, or the closes regions. Olsztyn has been becoming the real ”prose basin” recently. Włodzimierz Kowalewski, Mariusz Sieniewicz, Piotr Siwecki, Tomasz Białkowski, Joanna Wilengowska, Ewa Schilling, Tamara Bołdak-Janowska, Filip Onichimowski, Paweł Jaszczuk or Marta Syrwid are some of the well-known artists in Poland, who create their works here. Despite this fact, officially little is spoken about literature and it is not treated too seriously, although there are numerous ways of its effective promotion.
13

Wulgaryzmy jako cecha idiolektu Jakuba Żulczyka na przykładzie powieści Wzgórze Psów

100%
Chłosta-Zielonka J.
Prace Językoznawcze
|
2018
|
issue XX/3
7-24
XX
Celem artykułu jest wskazanie przykładów wyrazów o negatywnym zabarwieniu emocjonalnym – wulgaryzmów – występujących w języku bohaterów powieści Wzgórze Psów Jakuba Żulczyka, a także ustalenie funkcji, jakie pełnią one w tym tekście literackim. Zachodzi w nim ścisła relacja między przedstawioną rzeczywistością, w której dominuje przemoc, a językiem ją wyrażającym. Trudno ustalić kierunek tych oddziaływań, bowiem zarówno język bohaterów stwarza rzeczywistość, jak i rzeczywistość jest prezentowana przez język. W kontekście przedstawionych przykładów niepokojąca jest przemoc utrwalona w wypowiedziach większości bohaterów. Proza Żulczyka przechowuje negatywny obraz świata, a co za tym idzie magazynuje odpowiadające tej wizji zasoby językowe, obfitujące w wulgaryzmy, demoralizujące dialogi, a nawet odbierające jakąkolwiek nadzieję opisy krajobrazów.
EN
The aim of the article has been to show examples of words with a negative emotional charge – vulgarisms – appearing in the language of the characters in the novel Wzgórze Psów by Jakub Żulczyk, as well as to determine the functions they perform in this literary text. There is a close relationship between the presented reality, in which violence prevails, and the language that expresses it. It is difficult to determine the direction of these interactions, because both the language of the characters creates the reality and the reality is presented by the use of language. In the context of the presented examples, the violence conveyed in the statements of the majority of characters is worrying. Żulczyk's prose shows a negative image of the world, and thus exploits the language resources corresponding to this vision, rich in vulgarisms, demoralizing dialogues and even his descriptions of landscapes do not leave room for any hope.
14

Być inną – o kategorii różnicy w autobiograficznych wypowiedziach kobiet XX i XXI wieku

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Chłosta-Zielonka J.
Prace Literaturoznawcze
|
2018
|
issue 6
59-74
EN
The aim of this article is to present women’s experiences, considered as different, different frommen’s, unarticulated earlier and therefore marginalised. The material subjected to interpretation hasbeen selected from autobiographical texts by women, created at the beginning of the 21st century.The authors are representatives of various professions related mainly to the media sphere, such aswriters, actresses, singers, journalists, but also sportswomen or simply “known for being known”celebrities. They talk about education in patriarchy, being doomed to perform specific social roles,and their addiction to men and family.
15
Content available remote

Postpamięć czy pamięć indywidualna? Doświadczenie Zagłady zobrazowane w reportażu Agaty Tuszyńskiej pt. "Bagaż osobisty po marcu"

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Chłosta-Zielonka J.
Acta Neophilologica
|
2020
|
vol. XXII/2
123-136
EN
The aim of this article is to analyze the latest reportage by Agata Tuszyńska entitled Personal luggage. After March [2018]. The author deals with the shared experience of the generation of young Jews, the children of those who survived the Holocaust, living in the Polish People’s Republic. The category of post-memory, defined in 1997 by Marianne Hirsch, is assigned to this experience reported in the text. The interpretation of the protagonists’ statements, however, demonstrates that it does not work in their case. Their memories are of a genuine generational character, but they consist of a variety of individual memories, in which the Holocaust is on the margin of experience.
16

Idea regionalizmu Władysława Gębika (1900-1986) we współczesnej interpretacji

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Chłosta-Zielonka J.
Prace Literaturoznawcze
|
2016
|
issue 4
149-163
EN
The aim of the paper is detailed interpretation of activity carried out by Władysław Gębik in1945-1970, when the political doctrine dominated institutions of the public life. It is to show that organisational structures created by him and also pioneering academic publications published due to his engagement contained values which served the Polish who decided to live on the area of former East Prussia. The ideas which motivated his actions had universal dimension and exceeded narrow understanding of regionalism both in the post-war meaning and the one defined after 1945.
17

Od opowieści do sprawozdania. Reportaże o latach powojennych na Warmii i Mazurach

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Chłosta-Zielonka J.
Prace Literaturoznawcze
|
2017
|
issue 5
283–296
EN
The aim of this paper is to point to the ways of narrating history in the reportages written after 1945 and concerned with the issues of land disinheritance, culture and language of people living in the Warmia and Masuria region, as well as, in the case of the Masurians, religion after the territorial changes which took place after the Second World War. A certain regularity can be noticed in these reportages. It consists in creating narration about the past and approaching present-day literature, with the authors acting as moralizers rather than merely as informers who present their knowledge of facts. This phenomenon could be observed just after the war, later in the times of the Polish People’s Republic, and can be observed nowadays when reporters want to revive a forgotten topic.
18

Skąd się wzięły wulgaryzmy w literaturze po 1989 roku? Obraz kultury literackiej urodzonych w latach sześćdziesiątych, siedemdziesiątych i osiemdziesiątych

100%
Chłosta-Zielonka J.
Prace Językoznawcze
|
2012
|
issue 14
43-53
EN
This article focuses on the new culture, which influences young writers. The practice of using vulgarisms in the contemporary literature appeared after the changes in the political, economical and social life of 1989. It was caused by the influence of the mass culture, new media and the more liberal life of those times. The generation of barbarians (Marcin Świetlicki, Jacek Podsiadło) used vulgarisms in poetry. This way they wanted to show the truth about life and express their real emotions. They also resorted to the escape from tradition, history and convention. The youngest generation of writers (Marta Podgórnik, Agnieszka Wolny-Hamkało) continued this convention in prose and poetry.
19

Sławomir Buryła, Rozrachunki z wojną, Wydawnictwo Instytutu Badań Literackich PAN, Warszawa 2017, ss. 278.

75%
Chłosta-Zielonka J.
Prace Literaturoznawcze
|
2018
|
issue 6
292-295
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