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SYSTEM OF INTELLECTUAL PROPERTY LAW IN THE CONTEXT OF THE RECODIFICATION OF PRIVATE LAW (System prava dusevneho vlastnictva v kontexte rekodifikacie sukromneho prava)

100%
Skreko A.
Právny obzor. Teoretický časopis pre otázky štátu a práva (Juridical Review. Theoretical journal for the questions of state and law)
|
2010
|
vol. 93
|
issue 3
230-244
EN
The intellectual property law is a special area of private law, to which we will classify the legal regulation of rights attached to intellectual property. It is basically an open (i.e. developing) area of legal regulation, the subject of which are so-called ideal objects (also referred to as intangible assets) characterized by stable ideal structure in the unity of the form and content, which can exist independently as an ideal object of legal relations, apart from a particular, individually determined material carrier - tangible thing in which the ideal object is materialized. The paper deals with description of the system of intellectual property law, using the system criteria of the nature of the object (legal relations), nature of rights attached to the object, and creativity as a legal criterion, and refers to the system classification of the area of intellectual property to the private law, also in the context of recodification of private law in the Slovak Republic.
2

FILM AS THE RESULT OF THE COOPERATION BETWEEN AUTHORS AND PRODUCERS (Film ako vysledok spoluprace tvorcov a producentov)

100%
Skreko A.
Právny obzor. Teoretický časopis pre otázky štátu a práva (Juridical Review. Theoretical journal for the questions of state and law)
|
2010
|
vol. 93
|
issue 4
344-358
EN
Audiovisual culture is nowadays one of the most popular fields of the cultural expressions. The film industry holds very powerful instrument to address the lives of the people all around the globe and to bring them education, entertainment and information on the one hand, but also the expressions of the national cultural heritage, values and new ideas on the other hand as well. This unlimited cross-border 'movementt' of the audiovisual products that are also protected by copyright brings the legal science and the legal practice as well as the various types of questions, issues and queries that should be address and solved in order to secure the legal distribution and using of the films, audiovisual recordings and other potential protected (audiovisual) works. Other priority of the legal science in the field of the audiovisual creation can be found in the relationships inside the filmmaking process, it means the rights and relationships between the authors (the director, screenplay author(s), cameramen, performing artists etc.) and the producers (studios), especially in the connection with the further distribution of the film and the protection of the investments in the whole process. Presented study should be the 'invitation' for the further scientific discussion on the above mentioned issues. The study brings the historical comparison of the development of the basic institutes of the 'film law' and the deliberation on the main possibilities of the legal structuring of the rights and relationships inside the - what we call - audiovisual work.
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