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  1. 3 Bartošová Z.

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1

RESONANCES OF CUBISM IN SLOVAK FINE ART

100%
Bartošová Z.
ARS
|
2016
|
vol. 49
|
issue 2
93 – 112
EN
Looking back at the recognition of cubisation in three decades of Slovak fine art, different levels of the resonance emerge: direct link to Paris as a place, where cubism was born, promotion of cubisation in the artistic environment in Budapest and Prague, and again the link to Paris, this time as a place of Picasso’s followers applying cubisation in their works. The present study focuses on resonances of cubism in Slovak fine art, particularly in painting, in the first half of the 20th century, specifically in the period between the end of WWI and the establishment of Communist dictatorship in 1948.
2

MEDZI PARÍŽOM A BRATISLAVOU II. FRANCÚZSKO-SLOVENSKÉ A SLOVENSKO-FRANCÚZSKE VZŤAHY VO VÝTVARNOM UMENÍ POČAS SEDEMDESIATYCH A OSEMDESIATYCH ROKOV 20. STOROČIA (2. ČASŤ – SEGMENT)

100%
Bartošová Z.
ARS
|
2021
|
vol. 54
|
issue 1
73 – 97
EN
The study focuses on the events in the period of so-called normalisation, specifically between 1972 and 1989. During this period, Alex Mlynárčik continued to cooperate with French artists and art critics, notably Pierre Restany. The study points out the importance of this leading personality of Parisian New realism in terms of the presentation of Jozef Jankovič, Robert Cyprich, Jana Želibská and the White Space in White Space project in Paris. It also focuses on lesser-known publications by Geneviève Bénamou, a French art critic whose thesis was based on research conducted during her stay in Czechoslovakia. As an editor, Bénamou also prepared a book on visual artists of Czech and Slovak’s origin living outside Czechoslovakia, including Vladimir Ossif. Another personality who considerably contributed to shaping the French-Slovak relations was a young philosopher Etienne Cornevin. Over the decade he spent in Slovakia as a French language teacher, he met the circle of visual artists of his generation, members of the unofficial art scene.
3

MEDZI PARÍŽOM A BRATISLAVOU I. FRANCÚZSKO-SLOVENSKÉ A SLOVENSKO-FRANCÚZSKE VZŤAHY VO VÝTVARNOM UMENÍ POČAS ŠESŤDESIATYCH ROKOV 20. STOROČIA (1. ČASŤ – SEGMENT)

100%
Bartošová Z.
ARS
|
2020
|
vol. 53
|
issue 1
55 – 81
EN
The upcoming book by Zuzana Bartošová explores French-Slovak and Slovak-French relations in the area of visual arts in the latter half of the twentieth century. The paper “Between Paris and Bratislava I” is a segment of the upcoming book. It focuses on events in the period of 1960 – 1968 during which a crucial role has been played by Alex Mlynárčik’s initiatives directed towards a French art critic, Pierre Restany, a key figure of Parisian New Realism. The paper highlights Restany’s contribution to Slovak art scene, for instance during the preparation of international exhibition Danuvius ’68. It also deals with the AICA (Association internationale des critiques d’art) congress held in 1966 in Prague and Bratislava and with its resonance in Slovak environment.
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