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Z biegiem Piaśnicy. Miejsca pamięci wokół "granicy fantomowej" na Północnych Kaszubach

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Sacha M. I.
Przegląd Zachodni
|
2014
|
issue 3(352)
169-183
EN
The paper focuses on the question whether the former Polish-German border along the Piaśnica River in Northern Kashubia is also a ‘long-term-duration’ border. The old border, although no longer on the political map after 1945, still exists in the collective memory of the inhabitants of the former borderland. The ‘phantom border’ is tangible in material memorials and in language use. A particular case is the social memory of the inhabitants of the village Nadole, which was a Polish enclave on the German side of Lake Żarnowieckie between 1920-1939. The paper presents results of research on this memory conducted through text analysis of historical sources and ethnographic interviews with the local people. A local myth of the ‘hero’s journey’ plays an important role for the construction of the social memory of Nadole. Various Kashubian political activists can be cast as the hero. Until today the memory of the interwar period has been the basis of the image of ‘Us’ and ‘the Others’.
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Skrawki, notatki, drobiazgi, relikwie. O poezji buchenwaldzkiej Zygmunta Lubicz-Zaleskiego

100%
Sacha M. I.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2018
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vol. 47
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issue 1
17-39
EN
The subject of the study focuses on the poetry of the Polish-French literature historian Zygmunt Lubicz-Zaleski (1882–1967). The reason for my research was the Polish edition (2016) of his poetic cycle Relikwiarz buchenwaldzki (Reliquary of Buchenwald) which was created in the Nazi concentration camp Buchenwald (Germany) between 1943–1945 and until now was not widely known among the readers in Poland. Lubicz-Zaleski’s concentration camp poetry is presented within the context of looking at the nuances that the Polish and German prisoners’ of war collection of poetry shared about their ordeal while in Buchenwald. I also point out the domination of the German former communist prisoners in access to publishing within the German Democratic Republic after 1945 and because of this the lack of availability of French and Polish publications in East Germany. The main aim of the study was looking at Lubicz-Zaleski’s war poetry and its reception in a broader historical-political context.
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