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ON THE BORDERS OF GENRES. COMMUNICATION SITUATIONS AND INTERGENRE FORMS IN TRADITIONAL SONG CULTURE (Na hranici zanrov. Komunikacne situacie a medzizanrove formy v tradicnej piesnovej kulture)

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Urbancova H.
Slovenský národopis (Slovak Ethnology)
|
2009
|
vol. 57
|
issue 2
162-175
EN
The study of song genres carried until recently has been marked by a prevailing orientation towards the 'text'. Within the scope of genre classifications, hybrid forms appeared as ambivalent and fragmentary. In this article the view on the traditional song genres is enriched by boundary genre forms. These enable us to study the process of how song genres exhibiting a different level of relationship and interconnection become hybridised at the level of song lyrics and music-style signs.
2

MARIAN MOTIFS IN TRADITIONAL GENRES: LEGEND SONGS AND PAINTINGS ON GLASS (Marianske motivy v tradicnych zanroch: Legendicke piesne a malba na skle)

100%
Urbancova H.
Slovenský národopis (Slovak Ethnology)
|
2008
|
vol. 56
|
issue 4
399-418
EN
The Marian motifs in legend songs and in paintings on glass result from the complex relations established by the model, actual style context, subjective experience and expressive means of the medium. They are associated with the active reception of the Marian cult in a traditional environment as well as with the reflection of biblical and apocryphal themes. They are integral part of narratives (legends-tales) and are also formed into iconographic types (pictorial representations). Besides a narrow circle of parallel themes and pictorial types they are only complementary in both genres (media); complementation is also the way how to render them. They are components of folk belief as the two modes of formulating religious images.
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